Within Bated Breath: Waiting for the Pause

As a media artist, I think along the familiar occurrences of Black breathing as a site of community but also exploration. I utilize readings of Christina Sharpe’s In the Wake and Ashon Crawley’s Blackpentecostal Breath to explore communication in space and visuality. Viral is the continued, sonic demand to announce a Black life breathing. The force to enunciate a regular bodily function, a consequence of its ultimate disrespect. In this text, the enunciated breath of Black disembodied existence moves haggard and disaggregated. In this article, I examine the annunciation of Black subjectivity, the use of Black breath in creative and political space. As it acts as respite, invoked as a communal force. As observed in the 2020 Black Lives Matter movement, the haunting words “I Can’t Breathe” formed to become a cry, a global opening to exclaim and frustrate silence, and to push forward recognizing Black lives as finally human.

Authors

Publication Details

Journal
Canadian Theatre Review
Published
2024-10-01
DOI
https://doi.org/10.3138/ctr.198.004
Primary Topic
Posthumanist Ethics and Activism
Type
article
Field-Weighted Citation Impact
0.00
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article

Within Bated Breath: Waiting for the Pause

Omolola Ajao
Canadian Theatre Review
Posthumanist Ethics and Activism
article

Within Bated Breath: Waiting for the Pause

Omolola Ajao
article en

Abstract

As a media artist, I think along the familiar occurrences of Black breathing as a site of community but also exploration. I utilize readings of Christina Sharpe’s In the Wake and Ashon Crawley’s Blackpentecostal Breath to explore communication in space and visuality. Viral is the continued, sonic demand to announce a Black life breathing. The force to enunciate a regular bodily function, a consequence of its ultimate disrespect. In this text, the enunciated breath of Black disembodied existence moves haggard and disaggregated. In this article, I examine the annunciation of Black subjectivity, the use of Black breath in creative and political space. As it acts as respite, invoked as a communal force. As observed in the 2020 Black Lives Matter movement, the haunting words “I Can’t Breathe” formed to become a cry, a global opening to exclaim and frustrate silence, and to push forward recognizing Black lives as finally human.

Canadian Theatre ReviewVol. 198
Openalex Percentile: Top 66%
Posthumanist Ethics and Activism
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