Inside <i>The Blacktor’s Studio</i>

In 2017, I began conducting and producing digital interviews focused on the experiences of fellow Canadian Actors of Colour. Inspired by the American talk show Inside the Actors Studio, The Blacktor’s Studio highlights both the challenges and successes of thespians with diverse backgrounds and sets out to reveal their individual journeys. Using their experiences in theatre as a microcosm of life in Canada, it offers a glimpse into the lives of those who share my intersectionality, the injustices we experience, and the ways in which we overcome adversity. My intention is to shatter the misconception surrounding the ‘minority’ talent equation, to prove that we exist and are as skillful as our Caucasian counterparts, and to provide an intervention within the casting practices of Canadian Theatre. This celebratory excavation is the basis for the following article and features excerpts from interviews conducted after the seismic shift that occurred in 2020. To view these and other artists’ interviews in their entirety, please visit my YouTube channel ( youtube.com/@starrdomingue ) and search for The Blacktor’s Studio.

Authors

Publication Details

Journal
Canadian Theatre Review
Published
2024-10-01
DOI
https://doi.org/10.3138/ctr.198.002
Primary Topic
Art, Politics, and Modernism
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Inside The Blacktor’s Studio

Starr Domingue
Canadian Theatre Review
Art, Politics, and Modernism
article

Inside The Blacktor’s Studio

Starr Domingue
article en

Abstract

In 2017, I began conducting and producing digital interviews focused on the experiences of fellow Canadian Actors of Colour. Inspired by the American talk show Inside the Actors Studio, The Blacktor’s Studio highlights both the challenges and successes of thespians with diverse backgrounds and sets out to reveal their individual journeys. Using their experiences in theatre as a microcosm of life in Canada, it offers a glimpse into the lives of those who share my intersectionality, the injustices we experience, and the ways in which we overcome adversity. My intention is to shatter the misconception surrounding the ‘minority’ talent equation, to prove that we exist and are as skillful as our Caucasian counterparts, and to provide an intervention within the casting practices of Canadian Theatre. This celebratory excavation is the basis for the following article and features excerpts from interviews conducted after the seismic shift that occurred in 2020. To view these and other artists’ interviews in their entirety, please visit my YouTube channel ( youtube.com/@starrdomingue ) and search for The Blacktor’s Studio.

Canadian Theatre ReviewVol. 198
Openalex Percentile: Top 69%
Art, Politics, and Modernism
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Inside <i>The Blacktor’s Studio</i> — Starr Domingue · Canadian Theatre Review (2024) | TGRS Research Map | TGRS