Piercing the Corporate Whale: Agents, Principals, and the Personified Impersonal in Moby-Dick

Abstract: This essay considers Moby-Dick , the paradigmatic great American novel, as a meditation on the great American legal fiction of corporate person-hood. Infused with the new and exhilarating energies of a "joint-stock world" that "pays dividends," Melville's novel is also deeply preoccupied with the qualities of the corporate person: intangibility, immortality, and individuality. In delimiting the corporation's ontology, agency, and accountability, legal theorists grappled with the same mysteries of the "personified impersonal" embodied in both Moby Dick and the Pequod : is it "agent" or "principal," one man or thirty, an autonomous being of its own or a legal-fictitious mask veiling the real forces that act through it? I argue that the same tension between individual and collective personhood lies at the heart of Ahab's quest for revenge on Moby Dick. If Ahab's hatred of the white whale rests on a fear that the corporate form could be abused as a mere screen for the malign actions of a hidden "principal," his consolidation of tyrannical power over the Pequod 's crew ironically realizes that very fear by reducing the ship to his own alter ego.

Authors

Publication Details

Journal
Leviathan
Published
2024-10-01
DOI
https://doi.org/10.1353/lvn.2024.a944385
Primary Topic
Shakespeare, Adaptation, and Literary Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

Piercing the Corporate Whale: Agents, Principals, and the Personified Impersonal in Moby-Dick

Geoffrey R. Kirsch
Leviathan
Shakespeare, Adaptation, and Literary Criticism
article

Piercing the Corporate Whale: Agents, Principals, and the Personified Impersonal in Moby-Dick

Geoffrey R. Kirsch
article en

Abstract

Abstract: This essay considers Moby-Dick , the paradigmatic great American novel, as a meditation on the great American legal fiction of corporate person-hood. Infused with the new and exhilarating energies of a "joint-stock world" that "pays dividends," Melville's novel is also deeply preoccupied with the qualities of the corporate person: intangibility, immortality, and individuality. In delimiting the corporation's ontology, agency, and accountability, legal theorists grappled with the same mysteries of the "personified impersonal" embodied in both Moby Dick and the Pequod : is it "agent" or "principal," one man or thirty, an autonomous being of its own or a legal-fictitious mask veiling the real forces that act through it? I argue that the same tension between individual and collective personhood lies at the heart of Ahab's quest for revenge on Moby Dick. If Ahab's hatred of the white whale rests on a fear that the corporate form could be abused as a mere screen for the malign actions of a hidden "principal," his consolidation of tyrannical power over the Pequod 's crew ironically realizes that very fear by reducing the ship to his own alter ego.

LeviathanVol. 26(3)
Openalex Percentile: Top 69%
Shakespeare, Adaptation, and Literary Criticism
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