“Under the grene wode tre:”

The term “preservation” usually applies to the human practice of safeguarding the environment. However, in the case of the outlaws’ greenwood, the roles are reversed: the greenwood becomes the protector and preserver of the human. The medieval forest in general is expected to be dark, mysterious, and dangerous. However, the forest found in the early Robin Hood ballads never fits this description—unless the trespasser is a villain. It is a refuge, protecting the outlaw from others. It is home, for Robin and his men. This article examines the medieval cultural consciousness regarding the space of the forest in England, and how the greenwood both fits and deviates from this view. In doing so, through an ecocritical lens, this essay explores the transformative quality of Sherwood/Barnsdale Forest into a space of safety rather than danger in Middle English ballads, and discusses this transformation in relation to Robin’s outlaw status: What are the associations between outlawry and nature? When is the forest vilified, when is it embraced? What is the role of the outlaw in nature? And how does the presence of the outlaw alter the positionality of the forest in society, then and now?

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Publication Details

Journal
The Bulletin of the International Association for Robin Hood Studies
Published
2024-11-21
DOI
https://doi.org/10.33043/biarhs.5.1.97-117
Primary Topic
Medieval Literature and History
Type
article
Field-Weighted Citation Impact
0.00
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article

“Under the grene wode tre:”

Ann M. Martinez
The Bulletin of the International Association for Robin Hood Studies
Medieval Literature and History
article

“Under the grene wode tre:”

Ann M. Martinez
article en

Abstract

The term “preservation” usually applies to the human practice of safeguarding the environment. However, in the case of the outlaws’ greenwood, the roles are reversed: the greenwood becomes the protector and preserver of the human. The medieval forest in general is expected to be dark, mysterious, and dangerous. However, the forest found in the early Robin Hood ballads never fits this description—unless the trespasser is a villain. It is a refuge, protecting the outlaw from others. It is home, for Robin and his men. This article examines the medieval cultural consciousness regarding the space of the forest in England, and how the greenwood both fits and deviates from this view. In doing so, through an ecocritical lens, this essay explores the transformative quality of Sherwood/Barnsdale Forest into a space of safety rather than danger in Middle English ballads, and discusses this transformation in relation to Robin’s outlaw status: What are the associations between outlawry and nature? When is the forest vilified, when is it embraced? What is the role of the outlaw in nature? And how does the presence of the outlaw alter the positionality of the forest in society, then and now?

The Bulletin of the International Association for Robin Hood StudiesVol. 5(1)
Kent State University (US)
Openalex Percentile: Top 73%
Medieval Literature and History
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