Utilization of generative adversarial networks (GANs) in the replication and restoration of calligraphy art

With the continuous integration of culture and technology, the replication and restoration of calligraphy art has become a new direction in the restoration of traditional calligraphy and painting. The research on the replication and restoration of calligraphy art is of great significance in contemporary art. However, the accuracy and authenticity of the replicas in the process of replication and restoration calligraphy art are not high, and there are significant differences in material selection. This paper started with GAN (Generative Adversarial Network), collected a large amount of image data from calligraphy art works, trained a generative adversarial network, and used the trained model to process calligraphy art works. Compared with traditional replication techniques, the cost, restoration efficiency, and cultural inheritance and recognition of the two in calligraphy art replication were analyzed. Research has found that the highest score for the restoration of calligraphy art quality using traditional methods can only reach 89.9 points (out of a total of 100 points), while the highest score for GAN can reach 96.4 points. Moreover, the application of GAN can save the cost of calligraphy art for restoration, improve restoration efficiency, and enable flexible application in different scenarios.

Authors

Institutions

Publication Details

Journal
Molecular & cellular biomechanics
Published
2024-11-22
DOI
https://doi.org/10.62617/mcb563
Citations
1
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.34
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Utilization of generative adversarial networks (GANs) in the replication and restoration of calligraphy art

Xiaojun Zhu
1 citations
Molecular & cellular biomechanics
Aesthetic Perception and Analysis
0.34
article

Utilization of generative adversarial networks (GANs) in the replication and restoration of calligraphy art

Xiaojun Zhu
article en
1 citations

Abstract

With the continuous integration of culture and technology, the replication and restoration of calligraphy art has become a new direction in the restoration of traditional calligraphy and painting. The research on the replication and restoration of calligraphy art is of great significance in contemporary art. However, the accuracy and authenticity of the replicas in the process of replication and restoration calligraphy art are not high, and there are significant differences in material selection. This paper started with GAN (Generative Adversarial Network), collected a large amount of image data from calligraphy art works, trained a generative adversarial network, and used the trained model to process calligraphy art works. Compared with traditional replication techniques, the cost, restoration efficiency, and cultural inheritance and recognition of the two in calligraphy art replication were analyzed. Research has found that the highest score for the restoration of calligraphy art quality using traditional methods can only reach 89.9 points (out of a total of 100 points), while the highest score for GAN can reach 96.4 points. Moreover, the application of GAN can save the cost of calligraphy art for restoration, improve restoration efficiency, and enable flexible application in different scenarios.

Molecular & cellular biomechanicsVol. 21(3)
Communication University of China (CN)
Sustainable cities and communities
Openalex Percentile: Top 39%
Aesthetic Perception and Analysis
0.34
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.