Technocapitalism and The Beatles: Nostalgia in the Age of Digital Consumption

This paper explores the intersection of technocapitalism and the commodification of nostalgia, using the digital remastering and online distribution of The Beatles’ music as a case study. It examines how technocapitalism, understood as the fusion of advanced technology and capitalist practices, has enabled the rebranding and commercialization of nostalgic cultural artifacts. Employing a qualitative research methodology, this study analyzes digital archives, music sales data, and consumer reviews to uncover how digital remastering and distribution impact cultural heritage and consumer behavior. Key findings reveal that while technocapitalism provides unprecedented access to nostalgic content and preserves cultural artifacts, it raises questions about authenticity and the reshaping of consumer experiences through technology. The research highlights the complexities of navigating nostalgia in the digital marketplace and offers insights into how technology and capitalism influence the consumption and perception of cultural heritage, particularly in the case of The Beatles’ music.

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Publication Details

Journal
The Proceedings of the International Conference on Research in Social Sciences and Humanities.
Published
2024-11-19
DOI
https://doi.org/10.33422/icrsh.v1i1.588
Citations
1
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
5.21
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article

Technocapitalism and The Beatles: Nostalgia in the Age of Digital Consumption

Chudi Hua
1 citations
The Proceedings of the International Conference on Research in Social Sciences and Humanities.
Music History and Culture
5.21
article

Technocapitalism and The Beatles: Nostalgia in the Age of Digital Consumption

Chudi Hua
article en
1 citations

Abstract

This paper explores the intersection of technocapitalism and the commodification of nostalgia, using the digital remastering and online distribution of The Beatles’ music as a case study. It examines how technocapitalism, understood as the fusion of advanced technology and capitalist practices, has enabled the rebranding and commercialization of nostalgic cultural artifacts. Employing a qualitative research methodology, this study analyzes digital archives, music sales data, and consumer reviews to uncover how digital remastering and distribution impact cultural heritage and consumer behavior. Key findings reveal that while technocapitalism provides unprecedented access to nostalgic content and preserves cultural artifacts, it raises questions about authenticity and the reshaping of consumer experiences through technology. The research highlights the complexities of navigating nostalgia in the digital marketplace and offers insights into how technology and capitalism influence the consumption and perception of cultural heritage, particularly in the case of The Beatles’ music.

The Proceedings of the International Conference on Research in Social Sciences and Humanities.Vol. 1(1)
Lancaster University (GB)
Sustainable cities and communities
Openalex Percentile: Top 5%
Music History and Culture
5.21
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