Jazz Interpretations of Classical Musical Works

This study aims to elucidate the interpretation of jazz music within the classical mu sic domain through specific works, examining the improvisations and arrangements of jazz music on compositions from various periods of classical music. It assesses themes of improvisation in both classical and jazz music, as well as the interpretations of jazz music within aclassical context. The selected musical material provides an op portunity for analytical examination of various forms of classical music representation in piano jazz and identifying the mechanisms of ‘translating’ academic compositions into thelanguageofjazzart.Theresearchdemonstratesthatthetransformationofclas sical sources occurs at intonational, harmonic-modal, metrorhythmic, and structural levels. By characterising piano jazz and tracing its multifaceted history, the author highlights the main directions characteristic of performance on this instrument.

Authors

Publication Details

Journal
Conservatorium / Konservatoryum
Published
2024-11-18
DOI
https://doi.org/10.26650/cons2024-1528675
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Jazz Interpretations of Classical Musical Works

Stacy Olive Jarvis
Conservatorium / Konservatoryum
Musicology and Musical Analysis
article

Jazz Interpretations of Classical Musical Works

Stacy Olive Jarvis
article en

Abstract

This study aims to elucidate the interpretation of jazz music within the classical mu sic domain through specific works, examining the improvisations and arrangements of jazz music on compositions from various periods of classical music. It assesses themes of improvisation in both classical and jazz music, as well as the interpretations of jazz music within aclassical context. The selected musical material provides an op portunity for analytical examination of various forms of classical music representation in piano jazz and identifying the mechanisms of ‘translating’ academic compositions into thelanguageofjazzart.Theresearchdemonstratesthatthetransformationofclas sical sources occurs at intonational, harmonic-modal, metrorhythmic, and structural levels. By characterising piano jazz and tracing its multifaceted history, the author highlights the main directions characteristic of performance on this instrument.

Conservatorium / KonservatoryumVol. 11(2)
Openalex Percentile: Top 74%
Musicology and Musical Analysis
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