Four Monarchies, a Dog, a Cat, and Peg, Meg, or Margaret: “Upward Allusions” in Jonson’s <i>Entertainment at Britain’s Burse</i>

This note suggests identifications of the sources of several hitherto unidentified allusions in Jonson’s Entertainment at Britain’s Burse. The clumsiness of each of these allusions by the entertainment’s central character, the Master, contributes to his characterization as rhetorically inept and thus a figure of dubious credibility. Among the sources discussed here are an epigram by Sir John Davies, which Jonson presents in a way that simultaneously mocks his poetic rival and undermines the audience’s confidence in the Master’s critical discernment. The other allusions discussed include an apparent borrowing from a contemporary tract on usury and a garbled reference to a title of a Neo-Latin treatise. In addition, this note explicates the sources of humor involved in the Master’s reference to the Four Monarchies of the book of Daniel. In sum, the allusions discussed here demonstrate a pattern whereby the Master’s attempts to heighten his rhetoric cause him to fall comically into bathos.

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Publication Details

Journal
Ben Jonson Journal
Published
2024-11-01
DOI
https://doi.org/10.3366/bjj.2024.0372
Primary Topic
Joseph Conrad and Literature
Type
article
Field-Weighted Citation Impact
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article

Four Monarchies, a Dog, a Cat, and Peg, Meg, or Margaret: “Upward Allusions” in Jonson’s Entertainment at Britain’s Burse

Marlin E. Blaine
Ben Jonson Journal
Joseph Conrad and Literature
article

Four Monarchies, a Dog, a Cat, and Peg, Meg, or Margaret: “Upward Allusions” in Jonson’s Entertainment at Britain’s Burse

Marlin E. Blaine
article en

Abstract

This note suggests identifications of the sources of several hitherto unidentified allusions in Jonson’s Entertainment at Britain’s Burse. The clumsiness of each of these allusions by the entertainment’s central character, the Master, contributes to his characterization as rhetorically inept and thus a figure of dubious credibility. Among the sources discussed here are an epigram by Sir John Davies, which Jonson presents in a way that simultaneously mocks his poetic rival and undermines the audience’s confidence in the Master’s critical discernment. The other allusions discussed include an apparent borrowing from a contemporary tract on usury and a garbled reference to a title of a Neo-Latin treatise. In addition, this note explicates the sources of humor involved in the Master’s reference to the Four Monarchies of the book of Daniel. In sum, the allusions discussed here demonstrate a pattern whereby the Master’s attempts to heighten his rhetoric cause him to fall comically into bathos.

Ben Jonson JournalVol. 31(2)
California State University, Fullerton (US)
Openalex Percentile: Top 69%
Joseph Conrad and Literature
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