Performing <i>The Maid's Metamorphosis</i> , then and now

This essay opens by probing what can be extrapolated about the early performance history of the anonymous comedy The Maid's Metamorphosis (1600), performed by the Children of Paul's, based on its title page statement, internal evidence from the play, and contemporary letters. It argues it may have been conceived as part of the nuptial festivities for Anne Russell and Henry Somerset, Lord Herbert (Blackfriars, 16 June 1600). Then, it moves to consider what the recent revival of the play by Edward's Boys (spring 2024), in England and in France, may reveal about the portability of this show.

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Publication Details

Journal
Cahiers Élisabéthains A Journal of English Renaissance Studies
Published
2024-11-01
DOI
https://doi.org/10.1177/01847678241292222
Primary Topic
French Historical and Cultural Studies
Type
article
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article

Performing The Maid's Metamorphosis , then and now

Agnès Lafont, Lindsay Ann Reid
Cahiers Élisabéthains A Journal of English Renaissance Studies
French Historical and Cultural Studies
article

Performing The Maid's Metamorphosis , then and now

Agnès Lafont, Lindsay Ann Reid
article en

Abstract

This essay opens by probing what can be extrapolated about the early performance history of the anonymous comedy The Maid's Metamorphosis (1600), performed by the Children of Paul's, based on its title page statement, internal evidence from the play, and contemporary letters. It argues it may have been conceived as part of the nuptial festivities for Anne Russell and Henry Somerset, Lord Herbert (Blackfriars, 16 June 1600). Then, it moves to consider what the recent revival of the play by Edward's Boys (spring 2024), in England and in France, may reveal about the portability of this show.

Cahiers Élisabéthains A Journal of English Renaissance StudiesVol. 115(1)
Ollscoil na Gaillimhe – University of Galway (IE), Université Paul-Valéry Montpellier (FR)
Gender equality
Openalex Percentile: Top 74%
French Historical and Cultural Studies
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