Beyond Semiotic Representation: A Study of Emotion in Ukrainian Children’s Paintings

As part of the Ukrainian children support project, the platform Mom, I See War presents, on its official website and social media, more than 4,000 drawings by children from war‐affected areas (mainly Ukraine). Based on the artworks on this platform, this article delves deeper than mere symbolic interpretations and explores the various categories of emotional expression in these children’s drawings. Through a close reading of different elements (symbols, colours, structures) within the drawings, the study is carried out within the theoretical framework of emotion and political and cultural study. While each painting contains a complex combination of various personal emotions, the article makes a general outline of all the paintings as a whole and analyses the various possibilities of emotional expression among the group. In response to war conditions, four categories of emotional expression are presented: fear, pain, anger, and hope.

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Publication Details

Journal
Social Inclusion
Published
2024-11-13
DOI
https://doi.org/10.17645/si.8897
Citations
2
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
1.26
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article

Beyond Semiotic Representation: A Study of Emotion in Ukrainian Children’s Paintings

Zihan Zhou
2 citations
Social Inclusion
Digital Media and Visual Art
1.26
article

Beyond Semiotic Representation: A Study of Emotion in Ukrainian Children’s Paintings

Zihan Zhou
article en
2 citations

Abstract

As part of the Ukrainian children support project, the platform Mom, I See War presents, on its official website and social media, more than 4,000 drawings by children from war‐affected areas (mainly Ukraine). Based on the artworks on this platform, this article delves deeper than mere symbolic interpretations and explores the various categories of emotional expression in these children’s drawings. Through a close reading of different elements (symbols, colours, structures) within the drawings, the study is carried out within the theoretical framework of emotion and political and cultural study. While each painting contains a complex combination of various personal emotions, the article makes a general outline of all the paintings as a whole and analyses the various possibilities of emotional expression among the group. In response to war conditions, four categories of emotional expression are presented: fear, pain, anger, and hope.

Social InclusionVol. 12
Universidad Complutense de Madrid (ES), Universität Innsbruck (AT), International Psychoanalytic University Berlin (DE)
Openalex Percentile: Top 11%
Digital Media and Visual Art
1.26
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