What We See When Invited To Look Differently: Critical Reflections On Socially Engaged Photography

This in-conversation text is the result of multiple exchanges around different projects and contexts of practice undertaken by Anthony Luvera over the course of his career. Driven by a desire to explore Socially Engaged Photography (SEP) within an expanded critical framework, Gary Bratchford and Anthony Luvera discuss the logics of neoliberalism; representational responsibility; the use of data as a mode of address in the context of SEP; the politics of the ‘invitation’; and the triangulated partnership between subject, photographer, and audience as productive space for political engagement.

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Publication Details

Journal
Photography and Culture
Published
2024-10-01
DOI
https://doi.org/10.1080/17514517.2024.2412462
Primary Topic
Participatory Visual Research Methods
Type
article
Field-Weighted Citation Impact
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article

What We See When Invited To Look Differently: Critical Reflections On Socially Engaged Photography

Gary Bratchford, Anthony Luvera
Photography and Culture
Participatory Visual Research Methods
article

What We See When Invited To Look Differently: Critical Reflections On Socially Engaged Photography

Gary Bratchford, Anthony Luvera
article en

Abstract

This in-conversation text is the result of multiple exchanges around different projects and contexts of practice undertaken by Anthony Luvera over the course of his career. Driven by a desire to explore Socially Engaged Photography (SEP) within an expanded critical framework, Gary Bratchford and Anthony Luvera discuss the logics of neoliberalism; representational responsibility; the use of data as a mode of address in the context of SEP; the politics of the ‘invitation’; and the triangulated partnership between subject, photographer, and audience as productive space for political engagement.

Photography and CultureVol. 17(4)
Birmingham City University (GB), New England School of Photography (US), Coventry University (GB)
Reduced inequalities
Openalex Percentile: Top 68%
Participatory Visual Research Methods
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