Memory of Database: An Artistic Discourse on Anchored Data

The exploration of memory databases offers a fresh perspective on the intricate nature of human memory, uniting the realms of humanities, social sciences, and art. Across various artistic mediums including literature, film, visual arts, and theater, memory plays a pivotal role in shaping the structure and substance of works, transcending mere physical artifacts. Notably, the rise of digital archives and media art, spurred by technological advancements, has introduced a novel approach to cataloging and visualizing memories, birthing a unique artistic discourse termed ‘database aesthetics’. This marks a significant milestone in broadening our understanding of memory and seeking innovative means of expression through the fusion of art and technology.This research endeavors to delve deeply into the characteristics and significance of database aesthetics, meticulously scrutinizing art grounded in databases to discern how memories are formulated, preserved, and consumed in contemporary society. Moreover, it is anticipated that database aesthetics will chart a new course for modern art and yield a fresh vantage point for memory studies, stimulating profound discussions about the interplay between humanity and technology as well as the dynamics between individuals and society. With the advent of artificial intelligence and big data technology, the proliferation of memory databases is accelerating, potentially raising ethical quandaries such as privacy violations and information misuse. In light of these challenges, this research aims to underscore the positive facets of database aesthetics while identifying its constraints and actively seeking diverse approaches to delineate the responsible use of memory databases in future societies within the realm of artistic discourse, including media art.