Against the White Racial Imaginary: Claudia Rankine, <i>Citizen: An American Lyric</i>

Claudia Rankine’s Citizen: An American Lyric (2014) makes legible what neoliberalism has obscured – the ongoing, even the intensification of, white supremacy’s organization of social space. This essay shows how Rankine illuminates an American landscape forged in history, steeped in memory and invested with symbolic meaning to argue that it is, fundamentally, constructed by and entangled with white supremacy. Rankine reworks pastoral lyric imagery and documentary photography to situate contemporary anti-black violence within a longer history of white terror. She defamiliarizes the language of reportage to critique documentary strategies of visual evidence that reinscribe racial hierarchies through reliance upon an unmarked white gaze. In place of individual testimony, documentary evidence and bounded lyric subjectivity, Rankine gathers an assembly of voices, employing rhetorical strategies that resist the violence of neoliberal individuation.

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Publication Details

Journal
Comparative Critical Studies
Published
2024-10-01
DOI
https://doi.org/10.3366/ccs.2024.0535
Primary Topic
Poetry Analysis and Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

Against the White Racial Imaginary: Claudia Rankine, Citizen: An American Lyric

Anne Shea
Comparative Critical Studies
Poetry Analysis and Criticism
article

Against the White Racial Imaginary: Claudia Rankine, Citizen: An American Lyric

Anne Shea
article en

Abstract

Claudia Rankine’s Citizen: An American Lyric (2014) makes legible what neoliberalism has obscured – the ongoing, even the intensification of, white supremacy’s organization of social space. This essay shows how Rankine illuminates an American landscape forged in history, steeped in memory and invested with symbolic meaning to argue that it is, fundamentally, constructed by and entangled with white supremacy. Rankine reworks pastoral lyric imagery and documentary photography to situate contemporary anti-black violence within a longer history of white terror. She defamiliarizes the language of reportage to critique documentary strategies of visual evidence that reinscribe racial hierarchies through reliance upon an unmarked white gaze. In place of individual testimony, documentary evidence and bounded lyric subjectivity, Rankine gathers an assembly of voices, employing rhetorical strategies that resist the violence of neoliberal individuation.

Comparative Critical StudiesVol. 21(2-3)
Peace, Justice and strong institutions
Openalex Percentile: Top 70%
Poetry Analysis and Criticism
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