Marie Pujmanovás Novelle <i>Die Patientin von Doktor Hegel</i> (1931) als Beitrag zur Geschlechterdebatte der Zwischenkriegszeit

Summary In the democratic society of interwar Czechoslovakia, there was a lively discussion about women’s emancipation and the accompanying changes in the gender order. The modernist romance Pacientka dra Hegla [Doctor Hegel’s patient] (1931) by the Czech journalist and writer Marie Pujmanová (1893‒1958) occupies a liberal position in the debate. In the story of a young woman who gives up her plans to marry in favour of a relationship outside wedlock, issues such as female sexual liberation, abortion and free motherhood are topicalised. The article highlights the connections between the romance and gender discourses of the time and examines the ideological stance of the text. Special attention is paid to the stereotyping of the four main characters, who all represent certain concepts of personal identity that were very popular in the 1920 s.

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Publication Details

Journal
Zeitschrift für Slawistik
Published
2024-11-01
DOI
https://doi.org/10.1515/slaw-2024-0032
Primary Topic
Cinema History and Criticism
Type
article
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article

Marie Pujmanovás Novelle Die Patientin von Doktor Hegel (1931) als Beitrag zur Geschlechterdebatte der Zwischenkriegszeit

Jana Marková
Zeitschrift für Slawistik
Cinema History and Criticism
article

Marie Pujmanovás Novelle Die Patientin von Doktor Hegel (1931) als Beitrag zur Geschlechterdebatte der Zwischenkriegszeit

Jana Marková
article en

Abstract

Summary In the democratic society of interwar Czechoslovakia, there was a lively discussion about women’s emancipation and the accompanying changes in the gender order. The modernist romance Pacientka dra Hegla [Doctor Hegel’s patient] (1931) by the Czech journalist and writer Marie Pujmanová (1893‒1958) occupies a liberal position in the debate. In the story of a young woman who gives up her plans to marry in favour of a relationship outside wedlock, issues such as female sexual liberation, abortion and free motherhood are topicalised. The article highlights the connections between the romance and gender discourses of the time and examines the ideological stance of the text. Special attention is paid to the stereotyping of the four main characters, who all represent certain concepts of personal identity that were very popular in the 1920 s.

Zeitschrift für SlawistikVol. 69(4)
University of Konstanz (DE)
Gender equality
Openalex Percentile: Top 70%
Cinema History and Criticism
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Marie Pujmanovás Novelle <i>Die Patientin von Doktor Hegel</i> (1931) als Beitrag zur Geschlechterdebatte der Zwischenkriegszeit — Jana Marková · Zeitschrift für Slawistik (2024) | TGRS Research Map | TGRS