Participatory Censorship With Illusory Empowerment: Algorithmic Folklore and Interpretive Labor beyond Fandom

This article explores the cultural complexities of participatory censorship among young Chinese netizens, particularly within and beyond fan communities, through a digital ethnographic lens. By examining the interplay between social media practices and state governance, the study introduces the concepts of algorithmic folklore and interpretive labor to elucidate how fans engage in censorship as both a routine task and a form of ideological negotiation. Through immersive participant observations and in-depth interviews with 25 informants involved in fan conflicts, the findings highlight that while fans perceive their participation in reporting as a form of empowerment, this engagement paradoxically reinforces state control and self-censorship. The study argues that the dynamics of fan conflicts are intricately linked to broader political contexts, where fans become both agents and subjects of censorship. Ultimately, this research underscores the cultural complexities of participatory censorship, revealing the ways it can obscure deeper systemic inequalities and exploitation within the framework of cultural governance in China.

Authors

Institutions

Publication Details

Journal
Social Media + Society
Published
2024-10-01
DOI
https://doi.org/10.1177/20563051241295800
Citations
9
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
38.61
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Participatory Censorship With Illusory Empowerment: Algorithmic Folklore and Interpretive Labor beyond Fandom

Erika Ningxin Wang
9 citations
Social Media + Society
Asian Culture and Media Studies
38.61
article

Participatory Censorship With Illusory Empowerment: Algorithmic Folklore and Interpretive Labor beyond Fandom

Erika Ningxin Wang
article en
9 citations

Abstract

This article explores the cultural complexities of participatory censorship among young Chinese netizens, particularly within and beyond fan communities, through a digital ethnographic lens. By examining the interplay between social media practices and state governance, the study introduces the concepts of algorithmic folklore and interpretive labor to elucidate how fans engage in censorship as both a routine task and a form of ideological negotiation. Through immersive participant observations and in-depth interviews with 25 informants involved in fan conflicts, the findings highlight that while fans perceive their participation in reporting as a form of empowerment, this engagement paradoxically reinforces state control and self-censorship. The study argues that the dynamics of fan conflicts are intricately linked to broader political contexts, where fans become both agents and subjects of censorship. Ultimately, this research underscores the cultural complexities of participatory censorship, revealing the ways it can obscure deeper systemic inequalities and exploitation within the framework of cultural governance in China.

Social Media + SocietyVol. 10(4)
Chinese University of Hong Kong, Shenzhen (CN)
Openalex Percentile: Top 0%
Asian Culture and Media Studies
38.61
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Participatory Censorship With Illusory Empowerment: Algorithmic Folklore and Interpretive Labor beyond Fandom — Erika Ningxin Wang · Social Media + Society (2024) | TGRS Research Map | TGRS