Facing Planetary Ecocide, Transforming Human-Earth Relations

This article presents a rarely undertaken transcultural literary study, comparing the non-Indigenous novel <i>Blå</i> by Norwegian author Maja Lunde with the Indigenous novel <i>The Back of the Turtle</i> by Cherokee (US-American and Canadian) author Thomas King. By exploring the co-evolutionary relationships among art, literature, culture, ecosystems, and the environment, this study positions itself within the framework of eco-cosmopolitanism. It examines human-Earth relations and possibilities for action in the face of the climate and environmental crises portrayed in the novels. The analysis engages equally with Eurowestern approaches—ecophenomenology, ecophilosophy, ecopsychology, and ecocriticism—to address themes related to ecological elegies, ecological grief, the ethics of mourning, and symbiocenic critiques of the Anthropocene, and with Indigenous concepts of all-relatedness, particularly Anishinaabeg epistemologies and the cosmogonic story of Skywoman. By juxtaposing an Indigenous narrative9s capacity to convey storied resilience and survivance in the midst of extreme crises with a non-Indigenous narrative9s reliance on didactic warnings, negotiations, and techno-managerialism, this article underscores the importance of Indigenous perspectives in transcultural, eco-cosmopolitan approaches.

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Publication Details

Journal
Scandinavian Studies
Published
2024-10-01
DOI
https://doi.org/10.3368/sca.96.4.45
Primary Topic
Geographies of human-animal interactions
Type
article
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Facing Planetary Ecocide, Transforming Human-Earth Relations

Juliane Egerer
Scandinavian Studies
Geographies of human-animal interactions
article

Facing Planetary Ecocide, Transforming Human-Earth Relations

Juliane Egerer
article en

Abstract

This article presents a rarely undertaken transcultural literary study, comparing the non-Indigenous novel <i>Blå</i> by Norwegian author Maja Lunde with the Indigenous novel <i>The Back of the Turtle</i> by Cherokee (US-American and Canadian) author Thomas King. By exploring the co-evolutionary relationships among art, literature, culture, ecosystems, and the environment, this study positions itself within the framework of eco-cosmopolitanism. It examines human-Earth relations and possibilities for action in the face of the climate and environmental crises portrayed in the novels. The analysis engages equally with Eurowestern approaches—ecophenomenology, ecophilosophy, ecopsychology, and ecocriticism—to address themes related to ecological elegies, ecological grief, the ethics of mourning, and symbiocenic critiques of the Anthropocene, and with Indigenous concepts of all-relatedness, particularly Anishinaabeg epistemologies and the cosmogonic story of Skywoman. By juxtaposing an Indigenous narrative9s capacity to convey storied resilience and survivance in the midst of extreme crises with a non-Indigenous narrative9s reliance on didactic warnings, negotiations, and techno-managerialism, this article underscores the importance of Indigenous perspectives in transcultural, eco-cosmopolitan approaches.

Scandinavian StudiesVol. 96(4)
Ege University (TR)
Zero hunger
Openalex Percentile: Top 68%
Geographies of human-animal interactions
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