The Oriental Aesthetic Conception in the Animated Film Chang An

As an art form, film and television works are not only intended to entertain the public, but also a medium to convey ideas, emotions and aesthetic concepts, containing aesthetic value and artistic atmosphere, which can trigger the audience s emotional resonance and thinking. Chang An, a theatrical animation, reconstructs the narrative of historical animated films based on real characters and historical events. With the rhyme of poetry and the melody of music, it embodies the essence of shape dispersing but spirit concentrating in the Oriental aesthetic thought, cleverly constructs a unique Oriental implication of Chinese animated films, and innovatively constructs a new aesthetic paradigm of domestic animated films. It is not only a tribute to cultural inheritance and tradition, but also an exploration of innovation and the pursuit of beauty. This paper analyzes the expression of Oriental aesthetics from the aspects of film narration and art design with examples, in order to provide reference for domestic animation creators.

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Publication Details

Journal
Research and commentary on humanities and arts.
Published
2024-09-02
DOI
https://doi.org/10.18686/rcha.v2i5.4562
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The Oriental Aesthetic Conception in the Animated Film Chang An

W. Guo
Research and commentary on humanities and arts.
Asian Culture and Media Studies
article

The Oriental Aesthetic Conception in the Animated Film Chang An

W. Guo
article en

Abstract

As an art form, film and television works are not only intended to entertain the public, but also a medium to convey ideas, emotions and aesthetic concepts, containing aesthetic value and artistic atmosphere, which can trigger the audience s emotional resonance and thinking. Chang An, a theatrical animation, reconstructs the narrative of historical animated films based on real characters and historical events. With the rhyme of poetry and the melody of music, it embodies the essence of shape dispersing but spirit concentrating in the Oriental aesthetic thought, cleverly constructs a unique Oriental implication of Chinese animated films, and innovatively constructs a new aesthetic paradigm of domestic animated films. It is not only a tribute to cultural inheritance and tradition, but also an exploration of innovation and the pursuit of beauty. This paper analyzes the expression of Oriental aesthetics from the aspects of film narration and art design with examples, in order to provide reference for domestic animation creators.

Research and commentary on humanities and arts.Vol. 2(5)
Sichuan University (CN)
Sustainable cities and communities
Openalex Percentile: Top 68%
Asian Culture and Media Studies
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The Oriental Aesthetic Conception in the Animated Film Chang An — W. Guo · Research and commentary on humanities and arts. (2024) | TGRS Research Map | TGRS