The Oriental Aesthetic Conception in the Animated Film Chang An
As an art form, film and television works are not only intended to entertain the public, but also a medium to convey ideas, emotions and aesthetic concepts, containing aesthetic value and artistic atmosphere, which can trigger the audience s emotional resonance and thinking. Chang An, a theatrical animation, reconstructs the narrative of historical animated films based on real characters and historical events. With the rhyme of poetry and the melody of music, it embodies the essence of shape dispersing but spirit concentrating in the Oriental aesthetic thought, cleverly constructs a unique Oriental implication of Chinese animated films, and innovatively constructs a new aesthetic paradigm of domestic animated films. It is not only a tribute to cultural inheritance and tradition, but also an exploration of innovation and the pursuit of beauty. This paper analyzes the expression of Oriental aesthetics from the aspects of film narration and art design with examples, in order to provide reference for domestic animation creators.
Authors
- W. Guo (ORCID: https://orcid.org/0000-0002-2843-2556)
Institutions
- Sichuan University (CN)
Publication Details
- Journal
- Research and commentary on humanities and arts.
- Published
- 2024-09-02
- DOI
- https://doi.org/10.18686/rcha.v2i5.4562
- Primary Topic
- Asian Culture and Media Studies
- Type
- article
- Field-Weighted Citation Impact
- 0.00