Audiovisual Imagery in Multimodal Perception and Performance of Qigang Chen’s Er Huang Concerto

In the realm of musical performance, the role of a pianist extends beyond the mere execution of musical scores to become a pivotal contributor to artistic expression. This study delves into the auditory and visual imagination through the perception and performance of piano works by the Chinese-French composer Qigang Chen from the early 21st century, involving the performer’s meticulous response to the nuances of musical sound as well as the interplay of visual synaesthesia.The study also explores the inherent conveyance chain within the performance process, experimenting with multimodal forms of expression. These creative choices not only enrich the narrative of the arts but also contribute to crafting a comprehensive, immersive concert experience for the audience. The principal aim of this research is to explore the prismatic view within Qigang Chen’s piano work, offering multiple possibilities of meaning and emphasizing the crucial role of the pianist in forming and elucidating the fusion of auditory and visual senses in performative action.By transcending traditional performance boundaries, this exploration invites the audience to witness the multimodal interactions inherent in musical performances, providing a fresh perspective on dynamic exchanges between different sensory elements and cultural influences.