Who Reads Them?: Performing Stage Directions in New Play Development

Abstract: This Note explores the role of stage directions in new play development, with a focus on the reading of them and how that affects the development process. The practice and use of the stage directions reader are considered through data gained from a survey, interviews with theatre artists, and existing literature. After briefly exploring the background of stage directions, the Note examines their use in new play development, with a particular focus on the practice of performing them in a developmental reading. The author—a theatre artist and educator with fifteen years’ experience working in new play development as an actor, administrator, and observer—proposes that stage directions must be actively included in the play development process through the embodiment of an actor reading them.

Authors

Publication Details

Journal
Theatre topics
Published
2024-11-01
DOI
https://doi.org/10.1353/tt.2024.a942009
Primary Topic
Digital Games and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Who Reads Them?: Performing Stage Directions in New Play Development

Teresa A. Fisher
Theatre topics
Digital Games and Media
article

Who Reads Them?: Performing Stage Directions in New Play Development

Teresa A. Fisher
article en

Abstract

Abstract: This Note explores the role of stage directions in new play development, with a focus on the reading of them and how that affects the development process. The practice and use of the stage directions reader are considered through data gained from a survey, interviews with theatre artists, and existing literature. After briefly exploring the background of stage directions, the Note examines their use in new play development, with a particular focus on the practice of performing them in a developmental reading. The author—a theatre artist and educator with fifteen years’ experience working in new play development as an actor, administrator, and observer—proposes that stage directions must be actively included in the play development process through the embodiment of an actor reading them.

Theatre topicsVol. 34(3)
Quality Education
Openalex Percentile: Top 69%
Digital Games and Media
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