‘If one knows what is to come’: ethics, audience and eschatology in Pindar’s <i>Olympian</i> 2

Abstract This essay uses one difficult sentence from Pindar’s Olympian 2 as a jumping-off point to address larger issues about the relationship between literature and belief. Section II tackles Pindar’s judgement of the dead (56–60) and argues that this passage is better understood as an instance of unusual particle usage rather than as an elliptical expression of recondite doctrine. Here the posthumous fate of humanity is decided on the grounds of ethical conduct. Section III discusses the unfinished conditional beginning in line 56 and probes the connection between eschatological knowledge and pragmatic action. Scholars have focused on the unusual details of Pindar’s eschatology, but its overarching practical thrust is to reinforce a conventional ethic. Section IV examines the knowledge of the future mentioned in line 56 and other gestures towards privileged knowledge. Scholars have considered Olympian 2 an ‘intimate’ text intended for a select audience, but there is reason to think that this epinician aimed at a panhellenic reception. Combining motifs from various sources, Pindar creates a unique vision of the afterlife that is capable of transcending doctrinal labels and appealing to many. Section V briefly concludes by considering how this poem works as both a victory ode and a religious text. Pindar’s ode is not a ‘corrupt paraphrase’ of anything else; the text creates a world of its own and inscribes core epinician values into the very architecture of the cosmos.

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Publication Details

Journal
The Journal of Hellenic Studies
Published
2024-11-01
DOI
https://doi.org/10.1017/s0075426924000168
Primary Topic
Classical Antiquity Studies
Type
article
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article

‘If one knows what is to come’: ethics, audience and eschatology in Pindar’s Olympian 2

Henry Spelman
The Journal of Hellenic Studies
Classical Antiquity Studies
article

‘If one knows what is to come’: ethics, audience and eschatology in Pindar’s Olympian 2

Henry Spelman
article en

Abstract

Abstract This essay uses one difficult sentence from Pindar’s Olympian 2 as a jumping-off point to address larger issues about the relationship between literature and belief. Section II tackles Pindar’s judgement of the dead (56–60) and argues that this passage is better understood as an instance of unusual particle usage rather than as an elliptical expression of recondite doctrine. Here the posthumous fate of humanity is decided on the grounds of ethical conduct. Section III discusses the unfinished conditional beginning in line 56 and probes the connection between eschatological knowledge and pragmatic action. Scholars have focused on the unusual details of Pindar’s eschatology, but its overarching practical thrust is to reinforce a conventional ethic. Section IV examines the knowledge of the future mentioned in line 56 and other gestures towards privileged knowledge. Scholars have considered Olympian 2 an ‘intimate’ text intended for a select audience, but there is reason to think that this epinician aimed at a panhellenic reception. Combining motifs from various sources, Pindar creates a unique vision of the afterlife that is capable of transcending doctrinal labels and appealing to many. Section V briefly concludes by considering how this poem works as both a victory ode and a religious text. Pindar’s ode is not a ‘corrupt paraphrase’ of anything else; the text creates a world of its own and inscribes core epinician values into the very architecture of the cosmos.

The Journal of Hellenic StudiesVol. 144
Christ University (IN)
Peace, Justice and strong institutions
Openalex Percentile: Top 72%
Classical Antiquity Studies
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‘If one knows what is to come’: ethics, audience and eschatology in Pindar’s <i>Olympian</i> 2 — Henry Spelman · The Journal of Hellenic Studies (2024) | TGRS Research Map | TGRS