‘You can stay if you want, as my bride wife’: mapping Barbie Land onto Bachelor Nation

I identify key tropes in the television franchise The Bachelor/ette (2002–), mapping the reality TV dating narrative onto Barbie Land and examining the ways in which Barbie (2023) parallels and/or subverts these constructs. Ryan Gosling's remarks that The Bachelorette informed his portrayal of Beach Ken provide a starting point for analysing the ways in which a lack of heteronormative temporality in Barbie Land renders the Barbies free from the burden of patriarchal domesticity. I also consider Stereotypical Barbie (Margot Robbie) as reflective of a traditional Bachelorette series lead, and the shortcomings of the TV franchise in terms of platforming people of colour and casting racially diverse leads in the series. I juxtapose these two texts to highlight the ways in which Barbie offers an antithetical microcosm that challenges the heteronormative reality TV dating format and conservative conceits perpetuated by the Bachelor/ette franchise.

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Publication Details

Journal
Feminist Theory
Published
2024-11-03
DOI
https://doi.org/10.1177/14647001241291458
Citations
1
Primary Topic
Australian History and Society
Type
article
Field-Weighted Citation Impact
1.13
Controls
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article

‘You can stay if you want, as my bride wife’: mapping Barbie Land onto Bachelor Nation

G. M. P. O’Hare
1 citations
Feminist Theory
Australian History and Society
1.13
article

‘You can stay if you want, as my bride wife’: mapping Barbie Land onto Bachelor Nation

G. M. P. O’Hare
article en
1 citations

Abstract

I identify key tropes in the television franchise The Bachelor/ette (2002–), mapping the reality TV dating narrative onto Barbie Land and examining the ways in which Barbie (2023) parallels and/or subverts these constructs. Ryan Gosling's remarks that The Bachelorette informed his portrayal of Beach Ken provide a starting point for analysing the ways in which a lack of heteronormative temporality in Barbie Land renders the Barbies free from the burden of patriarchal domesticity. I also consider Stereotypical Barbie (Margot Robbie) as reflective of a traditional Bachelorette series lead, and the shortcomings of the TV franchise in terms of platforming people of colour and casting racially diverse leads in the series. I juxtapose these two texts to highlight the ways in which Barbie offers an antithetical microcosm that challenges the heteronormative reality TV dating format and conservative conceits perpetuated by the Bachelor/ette franchise.

Feminist TheoryVol. 25(4)
Newcastle University (GB)
Gender equality
Openalex Percentile: Top 15%
Australian History and Society
1.13
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‘You can stay if you want, as my bride wife’: mapping Barbie Land onto Bachelor Nation — G. M. P. O’Hare · Feminist Theory (2024) | TGRS Research Map | TGRS