Icelandic souvenirs: tourist gaze vs local gaze

The article focuses on the post-crisis representation of Iceland through souvenirs as the result of the negotiation between the “tourist gaze” and the “local gaze”. Drawing on the materials of field work in Reykjavik as well as media articles, I analyze the impact of tourist boom on souvenir production; the local strategies of the “proper” souvenirs’ promotion; the shifting of the most popular souvenirs towards the “local” or the “tourist” due to the influence of the “mutual gaze”.