How to Teach Creativity When There's No Such Thing as Creativity

ABSTRACT There is an infinity of realized and potential creative things, creative ideas, and creative performances, and yet there is no such thing as creativity, at least not in the two ways most of us think about creativity. (1) There is no general essence of creativity, no indispensable factor or shared quality that is an intrinsic part of all creative ideas, performances, or products. Creativity and expertise are very different things, but what makes a painting, a scientific theory, or a dance performance creative varies across domains in the same way that what constitutes expertise varies in these different disciplines. (2) And just as learning what a haiku is will not increase one's expertise in cooking or cosmology, developing creative‐thinking skills helpful in writing poetry will not make one a more creative chef or astronomer. Despite these constraints, it has been shown that creativity training can often result in more creative products, ideas, and performances, but primarily when trainers have put aside these two misguided and counter‐productive ways to conceptualize creativity.

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Publication Details

Journal
The Journal of Creative Behavior
Published
2024-11-04
DOI
https://doi.org/10.1002/jocb.1518
Citations
1
Primary Topic
Creativity in Education and Neuroscience
Type
article
Field-Weighted Citation Impact
0.51
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article

How to Teach Creativity When There's No Such Thing as Creativity

John Baer
1 citations
The Journal of Creative Behavior
Creativity in Education and Neuroscience
0.51
article

How to Teach Creativity When There's No Such Thing as Creativity

John Baer
article en
1 citations

Abstract

ABSTRACT There is an infinity of realized and potential creative things, creative ideas, and creative performances, and yet there is no such thing as creativity, at least not in the two ways most of us think about creativity. (1) There is no general essence of creativity, no indispensable factor or shared quality that is an intrinsic part of all creative ideas, performances, or products. Creativity and expertise are very different things, but what makes a painting, a scientific theory, or a dance performance creative varies across domains in the same way that what constitutes expertise varies in these different disciplines. (2) And just as learning what a haiku is will not increase one's expertise in cooking or cosmology, developing creative‐thinking skills helpful in writing poetry will not make one a more creative chef or astronomer. Despite these constraints, it has been shown that creativity training can often result in more creative products, ideas, and performances, but primarily when trainers have put aside these two misguided and counter‐productive ways to conceptualize creativity.

The Journal of Creative BehaviorVol. 59(3)
Rider University (US)
Quality Education
Openalex Percentile: Top 29%
Creativity in Education and Neuroscience
0.51
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