Why Screening Films? : A Study on the Contemporary Non-institutional Ciné-Club

This study aims to examine non-institutional cinè-clubs that screen films in the context of the increasingly individualised way of watching movies. Cinè-clubs in Korea, which have existed in various forms, have had a significant impact on the film viewing experience and the formation of cinephilia, which has been shaped by the military dictatorship, democratisation movement, and media changes of video and internet. This study analyses the activities and programming processes of non-institutional cinè-clubs in Seoul through a qualitative research methodology to discover the role and significance of cinè-clubs. Cine club operators born in the mid-90s to early 00s have embraced cinema in a variety of different ways. From this experience, their cinè-clubs represent a cross-section of contemporary cinèphilia, with activities that straddle the boundaries between legal and illegal, and programming that does not follow the canon, in the realm of the non-institutional. The university space and interaction in online communities are important conditions for the operation of these cinè-clubs. In addition, non-institutional cinè-clubs, which were formed as a result of the film movement in the 1990s, contribute to the diversity of film culture and the formation of new communities by discovering and screening films that have been marginalised by the Korean film institutions such as film festivals, film schools, and cinèmathèques. In the current stagnant Korean film culture, non-institutional cinè-clubs become a cultural space to discover lost vitality.