Exploring engagement and flow experiences in collective music practices of amateurs, students and professional musicians

The purpose of this research was to explore the engagement and flow experiences in collective music practices of amateurs, students, and professional musicians. Based on the first phase of a sequential explanatory mixed methods research design, this article presents the results obtained from an online survey with 102 participants from diverse collective music practices. The results obtained were analyzed using both descriptive and inferential statistics. Some statistically significant differences were observed in the interaction between participant groups (amateurs, students, and professionals) and dimensions of engagement (behavioral, cognitive, and emotional), as reported in the results and discussed in relation to the literature. In summary, we were able to explore and discuss some aspects of engagement, motivation, and flow experience based on the participants’ responses regarding their collective music practices.

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Publication Details

Journal
Per Musi
Published
2024-10-11
DOI
https://doi.org/10.35699/2317-6377.2024.53731
Citations
1
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
5.21

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article

Exploring engagement and flow experiences in collective music practices of amateurs, students and professional musicians

Rosane Cardoso de Araújo, Anderson Toni
1 citations
Per Musi
Diverse Music Education Insights
5.21
article

Exploring engagement and flow experiences in collective music practices of amateurs, students and professional musicians

Rosane Cardoso de Araújo, Anderson Toni
article en
1 citations

Abstract

The purpose of this research was to explore the engagement and flow experiences in collective music practices of amateurs, students, and professional musicians. Based on the first phase of a sequential explanatory mixed methods research design, this article presents the results obtained from an online survey with 102 participants from diverse collective music practices. The results obtained were analyzed using both descriptive and inferential statistics. Some statistically significant differences were observed in the interaction between participant groups (amateurs, students, and professionals) and dimensions of engagement (behavioral, cognitive, and emotional), as reported in the results and discussed in relation to the literature. In summary, we were able to explore and discuss some aspects of engagement, motivation, and flow experience based on the participants’ responses regarding their collective music practices.

Per MusiVol. 25
Universidade Federal de Mato Grosso (BR), Universidade Federal do Paraná (BR)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, Conselho Nacional de Desenvolvimento Científico e Tecnológico
Openalex Percentile: Top 5%
Diverse Music Education Insights
5.21
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