Civil War

Alex Garland’s 2024 film Civil War exemplifies how film can be considered a modern mythology, using a war movie to tell the story of the hero’s journey with a mother archetype as the hero. Through an audience’s shared morals and values, an impartial point-of-view, symbolism, the Jungian mother archetype, transformational imagery, ethical dilemmas and collective fears, the film functions in the way mythology does while leaving viewers questions for their own lives.

Publication Details

Journal
Journal of Religion & Film
Published
2024-10-01
DOI
https://doi.org/10.32873/uno.dc.jrf.28.02.10
Primary Topic
Vietnamese History and Culture Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Civil War

Journal of Religion & Film
Vietnamese History and Culture Studies
article

Civil War

article en

Abstract

Alex Garland’s 2024 film Civil War exemplifies how film can be considered a modern mythology, using a war movie to tell the story of the hero’s journey with a mother archetype as the hero. Through an audience’s shared morals and values, an impartial point-of-view, symbolism, the Jungian mother archetype, transformational imagery, ethical dilemmas and collective fears, the film functions in the way mythology does while leaving viewers questions for their own lives.

Journal of Religion & FilmVol. 28(2)
Openalex Percentile: Top 70%
Vietnamese History and Culture Studies
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Civil War · Journal of Religion & Film (2024) | TGRS Research Map | TGRS