<i>An Archaeology of Disability</i>: A Dialogic Essay

An Archaeology of Disability is a research station designed for the Venice Biennale, Architettura 2021 by David Gissen, Jennifer Stager, and Mantha Zarmakoupi and exhibited later at La Gipsoteca di Arte Antica of Pisa in 2022, at the Canellopoulos Museum of Athens in 2023, and at the Archaeological Museum of Thessaloniki in 2024. The research station works with languages and forms used by contemporary disabled people to reproduce elements—a ramp, a seat, an art gallery—from the ancient Acropolis in Athens that vanished long ago and that have little or no extant material forms. Among the many people who contributed to the research station are two performers, Christopher Tester and Pia Hargrove, who performed, respectively, the ekphrastic film and audio description Sēmata (Signs) (2021). The following dialogic essay draws on conversations with the curators and performers led by Brooke Holmes and Pasquale Toscano. This dialogic form surfaces some of the collaborative aspects of the research station to highlight the ways in which such collaboration brings different lenses to antiquity.

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Publication Details

Journal
Classical Antiquity
Published
2024-10-01
DOI
https://doi.org/10.1525/ca.2024.43.2.317
Primary Topic
Latin American and Latino Studies
Type
article
Field-Weighted Citation Impact
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article

An Archaeology of Disability: A Dialogic Essay

Christopher Tester, Brooke Holmes, David Gissen, Mantha Zarmakoupi et al.
Classical Antiquity
Latin American and Latino Studies
article

An Archaeology of Disability: A Dialogic Essay

Christopher Tester, Brooke Holmes, David Gissen, Mantha Zarmakoupi, Paul J. Toscano, Jennifer M. S. Stager, Pia Hargrove
article en

Abstract

An Archaeology of Disability is a research station designed for the Venice Biennale, Architettura 2021 by David Gissen, Jennifer Stager, and Mantha Zarmakoupi and exhibited later at La Gipsoteca di Arte Antica of Pisa in 2022, at the Canellopoulos Museum of Athens in 2023, and at the Archaeological Museum of Thessaloniki in 2024. The research station works with languages and forms used by contemporary disabled people to reproduce elements—a ramp, a seat, an art gallery—from the ancient Acropolis in Athens that vanished long ago and that have little or no extant material forms. Among the many people who contributed to the research station are two performers, Christopher Tester and Pia Hargrove, who performed, respectively, the ekphrastic film and audio description Sēmata (Signs) (2021). The following dialogic essay draws on conversations with the curators and performers led by Brooke Holmes and Pasquale Toscano. This dialogic form surfaces some of the collaborative aspects of the research station to highlight the ways in which such collaboration brings different lenses to antiquity.

Classical AntiquityVol. 43(2)
The New School (US), Vassar College (US), Johns Hopkins University (US), Princeton University (US), New York University (US), University of Pennsylvania (US)
Openalex Percentile: Top 70%
Latin American and Latino Studies
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