Dislocation the lyrical narrative regime in Max Blecher’s prose

Less studied in terms of narratology, M. Blecher’s work opens generous perspectives in the exploration of the lyrical narrative regime, despite the typological labelling of belonging to different literary orientations that would exclude the presence of this kind of exposition. In this article, the specifics of the dislocations of the lyrical narrative regime will be examined, following the poetics of the narrative perspective and the imaginary, the discourse situations created by the narrator, his alterities, the formal organization of the discourse. It will also be observed how the transgression of the real, the explosion of the image, the escape into unreality, transposed in this regime, attribute hallucinatory authenticity to the drama of the identity of the self.