A moda enquanto espaço da escrita para Júlia Lopes de Almeida

This article aims to examine the intersection between fashion journalism and the mainstream press through the column “A moda” by Júlia Lopes de Almeida, published under the pseudonym Ecila Worms in the newspaper O País (RJ, 1834-1934), between 24 February 1892 and 16 August 1901. I examine how Almeida balanced references to everyday life in Rio de Janeiro with self-references taken from fashion periodicals to construct a dual reality, as suggested by Niklas Luhmann (1886). Moreover, I explore the role of the physical space in her writing. The view from her window, along with the objects on her writing desk – particularly printed and handwritten materials – served as a rich source of inspiration for the texts in “A moda”. I argue that the physical space of her writing, together with the fashion publications circulating in Rio de Janeiro at the beginning of the 20th century, provided the writer with a new perspective for exploring the intersection between domestic and public spaces in the Brazilian crônica.

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Publication Details

Journal
Revista do Instituto Histórico e Geográfico Brasileiro
Published
2024-10-28
DOI
https://doi.org/10.23927/revihgb.v.185.n.495.2024.177
Primary Topic
Literature, Culture, and Criticism
Type
article
Field-Weighted Citation Impact
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article

A moda enquanto espaço da escrita para Júlia Lopes de Almeida

Ana Cláudia Suriani da Silva
Revista do Instituto Histórico e Geográfico Brasileiro
Literature, Culture, and Criticism
article

A moda enquanto espaço da escrita para Júlia Lopes de Almeida

Ana Cláudia Suriani da Silva
article en

Abstract

This article aims to examine the intersection between fashion journalism and the mainstream press through the column “A moda” by Júlia Lopes de Almeida, published under the pseudonym Ecila Worms in the newspaper O País (RJ, 1834-1934), between 24 February 1892 and 16 August 1901. I examine how Almeida balanced references to everyday life in Rio de Janeiro with self-references taken from fashion periodicals to construct a dual reality, as suggested by Niklas Luhmann (1886). Moreover, I explore the role of the physical space in her writing. The view from her window, along with the objects on her writing desk – particularly printed and handwritten materials – served as a rich source of inspiration for the texts in “A moda”. I argue that the physical space of her writing, together with the fashion publications circulating in Rio de Janeiro at the beginning of the 20th century, provided the writer with a new perspective for exploring the intersection between domestic and public spaces in the Brazilian crônica.

Revista do Instituto Histórico e Geográfico BrasileiroVol. 185(495)
University College London (GB)
Quality Education
Openalex Percentile: Top 72%
Literature, Culture, and Criticism
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