THE GREAT MUSIC BOOK OF AL FARAB – A MEDIEVAL MODEL FOR MUSIC THEORETICAL RESEARCH

The Great Book of Music (Kitab al-Musiqa al-Kabir), by the Golden Age Islamic philosopher al-Farabi, is a X th. century treatise on music in Arabic. It consists of two parts, the first being an introduction in which the definition of melody and its subdivisions, the origin of music, and some acoustic problems are discussed. The second part is devoted to the specifics of musical instruments popular among Arabs, the variety of rhythms, and the composition of melodies. Influenced by Pythagoras' theory of harmonic relationships, Farabi gives us a detailed definition of music, reveals its categories, and describes the elements from which a musical work is formed. The author systematically and subversively explains the importance of induction, and supports his theory emphatically by evidence, asserting that many of the principles he derives are acquired through sense experience, as in astronomy, optics, medicine, and other sciences.

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Publication Details

Journal
Godišnik na Sofijskiâ universitet Sv. Kliment Ohridski.
Published
2024-10-24
DOI
https://doi.org/10.60059/gsu.fnoi.iz.117.241-258
Primary Topic
Islamic Studies and History
Type
article
Field-Weighted Citation Impact
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article

THE GREAT MUSIC BOOK OF AL FARAB – A MEDIEVAL MODEL FOR MUSIC THEORETICAL RESEARCH

Ilia Mihaylov
Godišnik na Sofijskiâ universitet Sv. Kliment Ohridski.
Islamic Studies and History
article

THE GREAT MUSIC BOOK OF AL FARAB – A MEDIEVAL MODEL FOR MUSIC THEORETICAL RESEARCH

Ilia Mihaylov
article en

Abstract

The Great Book of Music (Kitab al-Musiqa al-Kabir), by the Golden Age Islamic philosopher al-Farabi, is a X th. century treatise on music in Arabic. It consists of two parts, the first being an introduction in which the definition of melody and its subdivisions, the origin of music, and some acoustic problems are discussed. The second part is devoted to the specifics of musical instruments popular among Arabs, the variety of rhythms, and the composition of melodies. Influenced by Pythagoras' theory of harmonic relationships, Farabi gives us a detailed definition of music, reveals its categories, and describes the elements from which a musical work is formed. The author systematically and subversively explains the importance of induction, and supports his theory emphatically by evidence, asserting that many of the principles he derives are acquired through sense experience, as in astronomy, optics, medicine, and other sciences.

Godišnik na Sofijskiâ universitet Sv. Kliment Ohridski.Vol. 117
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Islamic Studies and History
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