Netflix and the Transnationalisation of Teen Television

With the renewed popularity of teen television, SVOD services such as Netflix are increasingly investing in the production and distribution of teen series. Netflix is one of the first SVOD service to have adapted the genre outside of the western world. This transnationalisation of teen television is, we argue, infused with the streamer increasing emphasis on diversity. Based on a qualitative analysis of Netflix’s teen series trailers, this contribution explores how the streamer (a) challenges existing televisual conventions and (b) establishes its cultural authority through distinct negotiations of the global and the local. We highlight four dimensions of Netflix’s transnationalisation of teen television and conclude that, more than mere diversification of its catalog, Netflix managed to encapsulate different dimensions of diversity within the teen genre as part, on the one hand of its transnational strategy of expansion, and, on the other hand, its cultural politics.

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Publication Details

Journal
Television & New Media
Published
2024-10-27
DOI
https://doi.org/10.1177/15274764241292334
Citations
5
Primary Topic
Digital Games and Media
Type
article
Field-Weighted Citation Impact
5.66
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article

Netflix and the Transnationalisation of Teen Television

Axelle Asmar, Tim Raats, Leo Van Audenhove
5 citations
Television & New Media
Digital Games and Media
5.66
article

Netflix and the Transnationalisation of Teen Television

Axelle Asmar, Tim Raats, Leo Van Audenhove
article en
5 citations

Abstract

With the renewed popularity of teen television, SVOD services such as Netflix are increasingly investing in the production and distribution of teen series. Netflix is one of the first SVOD service to have adapted the genre outside of the western world. This transnationalisation of teen television is, we argue, infused with the streamer increasing emphasis on diversity. Based on a qualitative analysis of Netflix’s teen series trailers, this contribution explores how the streamer (a) challenges existing televisual conventions and (b) establishes its cultural authority through distinct negotiations of the global and the local. We highlight four dimensions of Netflix’s transnationalisation of teen television and conclude that, more than mere diversification of its catalog, Netflix managed to encapsulate different dimensions of diversity within the teen genre as part, on the one hand of its transnational strategy of expansion, and, on the other hand, its cultural politics.

Television & New MediaVol. 26(5)
Vrije Universiteit Brussel (BE), University of the Western Cape (ZA)
Openalex Percentile: Top 4%
Digital Games and Media
5.66
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