Rehistoricizing Black Masculinity in <i>The Wonder Years</i> Reboot

Popular entertainment remains one of the last places where Black history lives on despite the recent political erasure of U.S. Black struggles. The 2021 reboot of The Wonder Years, reframing Black masculinity through the young eyes of main character Dean Williams, rehistoricizes modern notions of Black families in the post-Civil Rights Movement. The purpose of this study is to explore Black masculinity media representations within reboot culture as a means to rehistoricize Black struggle and civil rights. Based on discourse analysis, the authors found the following three discourses: Reimagining Black Excellence, Recontextualizing Black Masculinity, and Revisiting Respectability Politics.

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Publication Details

Journal
Journalism & Mass Communication Quarterly
Published
2024-10-26
DOI
https://doi.org/10.1177/10776990241287152
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Rehistoricizing Black Masculinity in The Wonder Years Reboot

Rachel Grant, Hayley Markovich
Journalism & Mass Communication Quarterly
Cinema and Media Studies
article

Rehistoricizing Black Masculinity in The Wonder Years Reboot

Rachel Grant, Hayley Markovich
article en

Abstract

Popular entertainment remains one of the last places where Black history lives on despite the recent political erasure of U.S. Black struggles. The 2021 reboot of The Wonder Years, reframing Black masculinity through the young eyes of main character Dean Williams, rehistoricizes modern notions of Black families in the post-Civil Rights Movement. The purpose of this study is to explore Black masculinity media representations within reboot culture as a means to rehistoricize Black struggle and civil rights. Based on discourse analysis, the authors found the following three discourses: Reimagining Black Excellence, Recontextualizing Black Masculinity, and Revisiting Respectability Politics.

Journalism & Mass Communication Quarterly
University of Florida (US)
Openalex Percentile: Top 77%
Cinema and Media Studies
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