Engaging Dwight Radcliff’s <i>Remixing the Center</i>

In this response, the author engages Dwight Radcliff’s contributions in Remixing the Center by demonstrating the pastoral and historiographical possibilities that emerge through use of Hip Hop Culture’s practices of sampling, mixing, and poesis. The author expands on Radcliff’s notion of pericolonial by suggesting some hopeful and pessimistic interpretations of youth dis-engagement, or sideways engagement, from institutional religious life. In conclusion, the author points to the globalization of HHC as indicating the potential of applying Radcliff’s missiological intervention at global scales of analysis and practice.

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Publication Details

Journal
Missiology An International Review
Published
2024-10-24
DOI
https://doi.org/10.1177/00918296241292301
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
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article

Engaging Dwight Radcliff’s Remixing the Center

Jennifer L. Aycock
Missiology An International Review
Music History and Culture
article

Engaging Dwight Radcliff’s Remixing the Center

Jennifer L. Aycock
article en

Abstract

In this response, the author engages Dwight Radcliff’s contributions in Remixing the Center by demonstrating the pastoral and historiographical possibilities that emerge through use of Hip Hop Culture’s practices of sampling, mixing, and poesis. The author expands on Radcliff’s notion of pericolonial by suggesting some hopeful and pessimistic interpretations of youth dis-engagement, or sideways engagement, from institutional religious life. In conclusion, the author points to the globalization of HHC as indicating the potential of applying Radcliff’s missiological intervention at global scales of analysis and practice.

Missiology An International ReviewVol. 53(1)
James Madison University (US)
Reduced inequalities
Openalex Percentile: Top 76%
Music History and Culture
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