From Nollywood to the World: A Cultural Studies and Critical Discourse Analysis of Nollywood Films on Netflix

This study examines the transnationalization of the Nollywood industry in the rise of streaming platforms like Netflix. As nonwestern film industries begin to find global audiences beyond their local space, ideological underpinnings of these industries also continue to shift and become more apparent. The need to compete for global capital while retaining the cultural flavor of the South has been a major challenge of many transnational media industries. Taking Nollywood as a case study, this study argues that the production of Nollywood films on Netflix goes beyond the quest to find global market, instead economic interest, the need to appeal to global audience by producing multicultural relevant content and promulgating a Nigerian identity that non-African audience can understand are important areas that should be considered. Contextualized within the theories of cultural studies and political economy and the method of critical discourse analysis, the study accentuates the changing discourse of the new Nollywood cinema and what it means for critical cultural scholarship of media and communication, especially in the Global South.

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Publication Details

Journal
International journal of mass communication.
Published
2024-10-25
DOI
https://doi.org/10.6000/2818-3401.2024.02.04
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

From Nollywood to the World: A Cultural Studies and Critical Discourse Analysis of Nollywood Films on Netflix

Ololade Afolabi
International journal of mass communication.
Cinema and Media Studies
article

From Nollywood to the World: A Cultural Studies and Critical Discourse Analysis of Nollywood Films on Netflix

Ololade Afolabi
article en

Abstract

This study examines the transnationalization of the Nollywood industry in the rise of streaming platforms like Netflix. As nonwestern film industries begin to find global audiences beyond their local space, ideological underpinnings of these industries also continue to shift and become more apparent. The need to compete for global capital while retaining the cultural flavor of the South has been a major challenge of many transnational media industries. Taking Nollywood as a case study, this study argues that the production of Nollywood films on Netflix goes beyond the quest to find global market, instead economic interest, the need to appeal to global audience by producing multicultural relevant content and promulgating a Nigerian identity that non-African audience can understand are important areas that should be considered. Contextualized within the theories of cultural studies and political economy and the method of critical discourse analysis, the study accentuates the changing discourse of the new Nollywood cinema and what it means for critical cultural scholarship of media and communication, especially in the Global South.

International journal of mass communication.Vol. 2
Sacred Heart University (US)
Openalex Percentile: Top 77%
Cinema and Media Studies
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