Syncopation Struggles: Decoding Rhythmic Challenges in Ghanaian Arts Music

This study explored the vital role of rhythm in Ghanaian arts and music, focusing on its significance for cultural preservation and education amid globalization challenges. Using a qualitative methodology grounded in Ethnomusicology, the research examined how traditional rhythms are taught and interpreted, with particular emphasis on the role of choir directors. The findings indicate that current interpretive methods may not adequately preserve the authenticity of these rhythms, affecting educational and cultural transmission. The study recommends developing more precise interpretation techniques and an interdisciplinary approach in music education to improve the understanding and preservation of the cultural heritage of Ghana. This research contributes to scholarship by highlighting the cognitive and social dynamics in music education and stressing the urgency of safeguarding cultural authenticity in traditional Ghanaian music practices. Its implications extend beyond academic circles, influencing pedagogical practices in music education worldwide. Keywords: Ethnomusicology of Ghanaian Arts Music, Rhythm Interpretation, Cultural Heritage Preservation, Music Education, Cognitive Processes in Music

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Publication Details

Journal
E-Journal of Humanities Arts and Social Sciences
Published
2024-10-25
DOI
https://doi.org/10.38159/ehass.202451321
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Syncopation Struggles: Decoding Rhythmic Challenges in Ghanaian Arts Music

Kow Arkhurst, Richmond Amoh-Yeboah., William Adjei Dickson
E-Journal of Humanities Arts and Social Sciences
Music History and Culture
article

Syncopation Struggles: Decoding Rhythmic Challenges in Ghanaian Arts Music

Kow Arkhurst, Richmond Amoh-Yeboah., William Adjei Dickson
article en

Abstract

This study explored the vital role of rhythm in Ghanaian arts and music, focusing on its significance for cultural preservation and education amid globalization challenges. Using a qualitative methodology grounded in Ethnomusicology, the research examined how traditional rhythms are taught and interpreted, with particular emphasis on the role of choir directors. The findings indicate that current interpretive methods may not adequately preserve the authenticity of these rhythms, affecting educational and cultural transmission. The study recommends developing more precise interpretation techniques and an interdisciplinary approach in music education to improve the understanding and preservation of the cultural heritage of Ghana. This research contributes to scholarship by highlighting the cognitive and social dynamics in music education and stressing the urgency of safeguarding cultural authenticity in traditional Ghanaian music practices. Its implications extend beyond academic circles, influencing pedagogical practices in music education worldwide. Keywords: Ethnomusicology of Ghanaian Arts Music, Rhythm Interpretation, Cultural Heritage Preservation, Music Education, Cognitive Processes in Music

E-Journal of Humanities Arts and Social Sciences
Presbyterian University, Ghana (GH), Abetifi Presbyterian College of Education, Atebubu College of Education, Agogo Presbyterian Women's College of Education
Sustainable cities and communities
Openalex Percentile: Top 77%
Music History and Culture
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