Los Morelis bogotanos. Una <i>Conversación artística </i>entre dos amigos cosmopolitas

This essay highlights the text Conversación artística (Bogotá-Paris, 1885-1887), its authenticity, and the dynamic relationship between its authors: Ángel Cuervo and Rafael Pombo. The text displays a blend of praise, irony, and disillusionment in response to fin-de-siècle Europe as intensely experienced by Cuervo who, as a migrant, visits museums, galleries, and exhibitions at a frenetic pace and shares his thoughts with his friend Pombo, who from Bogotá yearns and shares his ideas in his correspondence. Barely known today, we argue that this conversation existed as an intellectual and intimate exchange of thirty-one years of friendship that eventually became an editorial project and corresponds to different writing times only visible through a review of the intense epistolary exchange between these two friends.

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Publication Details

Journal
H-ART Revista de historia teoría y crítica de arte
Published
2024-10-25
DOI
https://doi.org/10.25025/hart18.2024.06
Primary Topic
Photographic and Visual Arts
Type
article
Field-Weighted Citation Impact
0.00
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article

Los Morelis bogotanos. Una Conversación artística entre dos amigos cosmopolitas

Jes ́ús Alberto Escalante Figueroa, Olga Isabel Acosta Luna
H-ART Revista de historia teoría y crítica de arte
Photographic and Visual Arts
article

Los Morelis bogotanos. Una Conversación artística entre dos amigos cosmopolitas

Jes ́ús Alberto Escalante Figueroa, Olga Isabel Acosta Luna
article en

Abstract

This essay highlights the text Conversación artística (Bogotá-Paris, 1885-1887), its authenticity, and the dynamic relationship between its authors: Ángel Cuervo and Rafael Pombo. The text displays a blend of praise, irony, and disillusionment in response to fin-de-siècle Europe as intensely experienced by Cuervo who, as a migrant, visits museums, galleries, and exhibitions at a frenetic pace and shares his thoughts with his friend Pombo, who from Bogotá yearns and shares his ideas in his correspondence. Barely known today, we argue that this conversation existed as an intellectual and intimate exchange of thirty-one years of friendship that eventually became an editorial project and corresponds to different writing times only visible through a review of the intense epistolary exchange between these two friends.

H-ART Revista de historia teoría y crítica de arte(18)
Caro and Cuervo Institute (CO), Universidad de Los Andes (BO)
Reduced inequalities
Openalex Percentile: Top 77%
Photographic and Visual Arts
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