Provision of "Isms" and Spontaneous Art: From the Development of Art History

This paper explores the development of art from early cave paintings to modern Provisionism and spontaneous art, analyzing how art, as a significant form of human cultural expression, has continuously evolved with changes in society and technology. As time progresses, the definition and boundaries of art are no longer fixed but have expanded along with the shifting roles of artists. The rise of Provisionism indicates that artists are no longer merely creators of works but designers of audience experiences, with the meaning of artworks further extended and enriched through audience participation. At the same time, spontaneous art blurs the line between art and everyday life, suggesting that ordinary actions and improvisations can be considered art in the right context. This paper also discusses how these emerging art forms challenge traditional art concepts and provide new perspectives for the future development of art.

Authors

Publication Details

Journal
International Journal of Education and Humanities
Published
2024-10-23
DOI
https://doi.org/10.54097/y6dr0b55
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
0.00
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article

Provision of "Isms" and Spontaneous Art: From the Development of Art History

Longfeng Zhao
International Journal of Education and Humanities
Digital Media and Visual Art
article

Provision of "Isms" and Spontaneous Art: From the Development of Art History

Longfeng Zhao
article en

Abstract

This paper explores the development of art from early cave paintings to modern Provisionism and spontaneous art, analyzing how art, as a significant form of human cultural expression, has continuously evolved with changes in society and technology. As time progresses, the definition and boundaries of art are no longer fixed but have expanded along with the shifting roles of artists. The rise of Provisionism indicates that artists are no longer merely creators of works but designers of audience experiences, with the meaning of artworks further extended and enriched through audience participation. At the same time, spontaneous art blurs the line between art and everyday life, suggesting that ordinary actions and improvisations can be considered art in the right context. This paper also discusses how these emerging art forms challenge traditional art concepts and provide new perspectives for the future development of art.

International Journal of Education and HumanitiesVol. 16(3)
Openalex Percentile: Top 63%
Digital Media and Visual Art
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