The art of music. The representation of musical instruments in the rock art of Zimbabwe

This article explores the relationship between music and rock art by looking at the occurrence of musical instruments at rock art sites in Zimbabwe. Much of the attention paid to the rich rock art heritage of this country has focused on the documentation of sites, the meaning of the painted and engraved motifs in them and the regional variability they display. Despite some brief mentions, the depiction of musical instruments is still in need of systematic study. This article's first objective is to compile the information about this type of motifs found in publications and the SARADA archive. Having identified and classified them, it then explores whether musical instruments depicted at rock art sites are connected to altered states of consciousness. The possible relationship between gender and music is also explored and regional differences in the depiction of musical instruments are commented on.

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Publication Details

Journal
Azania Archaeological Research in Africa
Published
2024-10-23
DOI
https://doi.org/10.1080/0067270x.2024.2415211
Citations
1
Primary Topic
Archaeology and Rock Art Studies
Type
article
Field-Weighted Citation Impact
4.08

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article

The art of music. The representation of musical instruments in the rock art of Zimbabwe

Joshua Kumbani, Margarita Díaz‐Andreu
1 citations
Azania Archaeological Research in Africa
Archaeology and Rock Art Studies
4.08
article

The art of music. The representation of musical instruments in the rock art of Zimbabwe

Joshua Kumbani, Margarita Díaz‐Andreu
article en
1 citations

Abstract

This article explores the relationship between music and rock art by looking at the occurrence of musical instruments at rock art sites in Zimbabwe. Much of the attention paid to the rich rock art heritage of this country has focused on the documentation of sites, the meaning of the painted and engraved motifs in them and the regional variability they display. Despite some brief mentions, the depiction of musical instruments is still in need of systematic study. This article's first objective is to compile the information about this type of motifs found in publications and the SARADA archive. Having identified and classified them, it then explores whether musical instruments depicted at rock art sites are connected to altered states of consciousness. The possible relationship between gender and music is also explored and regional differences in the depiction of musical instruments are commented on.

Azania Archaeological Research in AfricaVol. 60(1)
Institució Catalana de Recerca i Estudis Avançats (ES), University of Johannesburg (ZA), ERA Arqueologia (PT), Museu d'Arqueologia de Catalunya (ES), Universitat de Barcelona (ES)
European Commission
Openalex Percentile: Top 8%
Archaeology and Rock Art Studies
4.08
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