NEGOSIASI MUSIKAL DAN SOSIO-KULTURAL PADA KESENIAN GANJURAN DI PURA WISNU SAKTI KLATEN

Ganjuran is a type of music that is a mixture of two types of music, namely Jathilan and Baleganjur music. This assimilation began with an identity polemic between Javanese and Balinese musicality which was felt by most Hindus in Klaten. The polemic turned out to be prolonged, until finally Pemuda Pura Wisnu Sakti offered a solution to blend the two musicalities. In carrying out assimilation, Pemuda Pura Wisnu Sakti apparently carried out musical and socio-cultural negotiations with various elements to find an ideal. Next, to describe the negotiations, Yuniawan’s negotiation strategy theory was used. The method used in this research is qualitative, descriptive analytic in nature. As a result, it was identified that there were musical negotiations which included instruments and playing patterns as well as socio-cultural negotiations which included identity, satisfaction of players and listeners, and suitability of musicality with worship. These results show that music can be used as a tool to maintain identity in a friendly way.

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Publication Details

Journal
Sorai Jurnal Pengkajian dan Penciptaan Musik
Published
2024-10-18
DOI
https://doi.org/10.33153/sorai.v17i1.6240
Primary Topic
Cultural and Artistic Studies
Type
article
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article

NEGOSIASI MUSIKAL DAN SOSIO-KULTURAL PADA KESENIAN GANJURAN DI PURA WISNU SAKTI KLATEN

Budi Setiyono, Supriyadi Supriyadi
Sorai Jurnal Pengkajian dan Penciptaan Musik
Cultural and Artistic Studies
article

NEGOSIASI MUSIKAL DAN SOSIO-KULTURAL PADA KESENIAN GANJURAN DI PURA WISNU SAKTI KLATEN

Budi Setiyono, Supriyadi Supriyadi
article en

Abstract

Ganjuran is a type of music that is a mixture of two types of music, namely Jathilan and Baleganjur music. This assimilation began with an identity polemic between Javanese and Balinese musicality which was felt by most Hindus in Klaten. The polemic turned out to be prolonged, until finally Pemuda Pura Wisnu Sakti offered a solution to blend the two musicalities. In carrying out assimilation, Pemuda Pura Wisnu Sakti apparently carried out musical and socio-cultural negotiations with various elements to find an ideal. Next, to describe the negotiations, Yuniawan’s negotiation strategy theory was used. The method used in this research is qualitative, descriptive analytic in nature. As a result, it was identified that there were musical negotiations which included instruments and playing patterns as well as socio-cultural negotiations which included identity, satisfaction of players and listeners, and suitability of musicality with worship. These results show that music can be used as a tool to maintain identity in a friendly way.

Sorai Jurnal Pengkajian dan Penciptaan MusikVol. 17(1)
Institut Seni Indonesia Surakarta (ID)
Reduced inequalities
Openalex Percentile: Top 71%
Cultural and Artistic Studies
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NEGOSIASI MUSIKAL DAN SOSIO-KULTURAL PADA KESENIAN GANJURAN DI PURA WISNU SAKTI KLATEN — Budi Setiyono, Supriyadi Supriyadi · Sorai Jurnal Pengkajian dan Penciptaan Musik (2024) | TGRS Research Map | TGRS