Greek Poetry in a Multicultural Society: Sicily and Salento in the Twelfth and Thirteenth Centuries

Abstract In the twelfth and thirteenth centuries, southern Italy experienced a period of relative political stability and economic prosperity under the Normans as well as the Hohenstaufen dynasty that succeeded them. These cultural conditions fostered a cultural resurgence, which included the composition of Greek poetry. Poets in Sicily wrote from within a multicultural context, including the presence of Arabic- and Latin-speaking communities. Many of their poems illustrate the generative intersections between the Byzantine-Constantinopolitan, Latin, and Arabic traditions. Later in Salento, poetry was written in a rather closed Greek-speaking, Orthodox society. Comparing Greek poetry from Sicily and Salento shows some differences between composition in the two regions. Whereas Sicilian poetry includes especially creative narrative poems, composed for the rich and sophisticated courts of the island, the Salentine poetry bears the stamp of the schoolroom. In fact, most poems from both Sicily and Salento survive in manuscripts that can be traced to a pedagogical environment. While the circulation of these poems was limited to their surrounding regions, their literary sophistication betrays remarkable creativity and the multicultural conditions of composition, further evidence of the vitality of Greek literary culture far from the heartland of the Byzantine Empire.