“Can Corpses Undie?” Traces of Rothberg’s Trauma Model in Faridah Àbíké-Íyímídé’s Ace of Spades

Interdisciplinary studies in memory have become more relevant since the turn of the twentieth century with scholars giving their divergent views. That way, personal and collective memories have been explored vis-à-vis communal identities. How tragic/traumatic events affect personal and collective memories remains the concern of trauma theory which has critically investigated both the personal and intergenerational traumas of victims of injustice. One major contribution of Michael Rothberg to collective memory is his advancement of solidarity between group victims of diverse cultures, nationalities, races, and identities in order to create a more peaceful world to live in. This paper purports that Rothberg’s multidirectional memory and theory of implication are useful theoretical tools for analysing Faridah Àbíké-Íyímídé’s Young Adult novel, Ace of Spades (2021). The paper, therefore, indicates how diverse sites of trauma in the author’s world synergise with those of the protagonists. Also, the paper notably identifies some white characters in Ace of Spades as implicated subjects of racism and white supremacy. On the whole, the premise of this paper is that the new media can serve as a convenient site of thoughtful convergence for different victim groups to devise a means of dismantling long-existing regimes of oppression and injustice.