Information Practices and the Production of Scientific Knowledge through Sound

ABSTRACT Environmental sound recording is increasingly vital to the production of scientific and ecological information and knowledge. While research applications have grown tremendously, there is a lack of empirical research around the practices and experiences of those responsible for creating and managing these recordings. This poster reports on initial findings of a qualitative research project that interviewed 30 academic and professional researchers from across Canada and the United States, exploring information activities and meaningful elements and actors involved in their interactions with environmental sound recording. From preliminary findings, two themes are discussed: sound and listening skills involved in the creation and analysis of environmental sound recordings are complex, multisensory information practices , and changing environments and technological affordances enable and constrain the seeking and sharing of information and resulting knowledge production .

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Publication Details

Journal
Proceedings of the Association for Information Science and Technology
Published
2024-10-01
DOI
https://doi.org/10.1002/pra2.1193
Citations
1
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
5.21

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article

Information Practices and the Production of Scientific Knowledge through Sound

Owen Stewart‐Robertson
1 citations
Proceedings of the Association for Information Science and Technology
Diverse Musicological Studies
5.21
article

Information Practices and the Production of Scientific Knowledge through Sound

Owen Stewart‐Robertson
article en
1 citations

Abstract

ABSTRACT Environmental sound recording is increasingly vital to the production of scientific and ecological information and knowledge. While research applications have grown tremendously, there is a lack of empirical research around the practices and experiences of those responsible for creating and managing these recordings. This poster reports on initial findings of a qualitative research project that interviewed 30 academic and professional researchers from across Canada and the United States, exploring information activities and meaningful elements and actors involved in their interactions with environmental sound recording. From preliminary findings, two themes are discussed: sound and listening skills involved in the creation and analysis of environmental sound recordings are complex, multisensory information practices , and changing environments and technological affordances enable and constrain the seeking and sharing of information and resulting knowledge production .

Proceedings of the Association for Information Science and TechnologyVol. 61(1)
McGill University (CA)
Social Sciences and Humanities Research Council of Canada
Openalex Percentile: Top 6%
Diverse Musicological Studies
5.21
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