Antigone or the Right to Kill: Making Noise As Resistance

ABSTRACT This article delves into the relation between the terms social dissonance , necropolitics and Sophocles' tragedy, Antigone. By attempting an interdisciplinary analysis and by bringing together elements of sound studies, political theory and classical literature, I will explore the contemporary dynamics between social dissonance, necropolitics and resistance. The key point is that beyond contemporary contexts or rather recent modernity, resistance to the authoritarian volition can be understood metaphorically as noise within a context of a wider social dissonance arrangement. While examining Antigone's defiance in the face of oppressive power, we are reminded of the individuals striving for justice and autonomy in the face of oppressive systems, as resistance to generalized capitalism prevailing positivity and appropriation. By juxtaposing the sociopolitical context in which Sophocles wrote Antigone and various manifestations of necropolitics in our times, this article explores the relevance of the play in today's ubiquitous surveillance and subjugation. Moreover, it emphasises the significance of the term 'social dissonance', as proposed by Mattin, in understanding the responses towards power struggles and forms of resistance. The collision of these concepts occurs, here, in their shared focus on power dynamics and resistance against oppressive systems: it explores the ways in which power operates, so as to control and manipulate individuals and communities, creating conditions of voluntary servitude and subjugation. As this analysis emphasises the potential for resistance, these terms can serve as a framework to challenge dominant narratives. When examining the intersection of necropolitics and social dissonance , we can explore how the exercise of necropolitical strategies leads to oppression by silencing dissent, suppressing alternative narratives and perpetuating oppressive structures. Silence is metaphorically seen here as a system of perpetuating power, subordinating resistance and ultimately, incorporating noise into the capitalist narrative. The clash between the dominant necropolitical regime and the underlying resistance exposes the tension and contradictions within society, laying the foundation for social movements.