Horny for Ghost: The Sexualized Remediation of <i>Call of Duty: Modern Warfare II</i> on TikTok

After the release of Call of Duty: Modern Warfare II in November 2022, a new, and rather unexpected, following of women and queer fans on TikTok emerged. Centering on the character Simon “Ghost” Riley, they latched onto the tall, muscular, and masked soldier with soulful eyes. Through fannish creations on TikTok, the game's characters and world was de- and re-constructed as a playful space for romantic and sexual imaginings that challenge the cis-het military masculinity of the series. Based on a 6-month netnography, the article explores the fan remediation of Call of Duty in negotiation with TikTok's affordances. We analyze how new fans positioned themselves against traditional fans through weaponization of fangirl practices, how game mechanics were used in unusual ways to generate audiovisual material, and how some of the complex fan-industry relationships manifested as a response to this unexpected fandom.

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Institutions

Publication Details

Journal
Games and Culture
Published
2024-10-14
DOI
https://doi.org/10.1177/15554120241288608
Citations
3
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
3.39
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article

Horny for Ghost: The Sexualized Remediation of Call of Duty: Modern Warfare II on TikTok

Tanja Sihvonen, Kristine Ask
3 citations
Games and Culture
Cinema and Media Studies
3.39
article

Horny for Ghost: The Sexualized Remediation of Call of Duty: Modern Warfare II on TikTok

Tanja Sihvonen, Kristine Ask
article en
3 citations

Abstract

After the release of Call of Duty: Modern Warfare II in November 2022, a new, and rather unexpected, following of women and queer fans on TikTok emerged. Centering on the character Simon “Ghost” Riley, they latched onto the tall, muscular, and masked soldier with soulful eyes. Through fannish creations on TikTok, the game's characters and world was de- and re-constructed as a playful space for romantic and sexual imaginings that challenge the cis-het military masculinity of the series. Based on a 6-month netnography, the article explores the fan remediation of Call of Duty in negotiation with TikTok's affordances. We analyze how new fans positioned themselves against traditional fans through weaponization of fangirl practices, how game mechanics were used in unusual ways to generate audiovisual material, and how some of the complex fan-industry relationships manifested as a response to this unexpected fandom.

Games and Culture
Norwegian University of Science and Technology (NO), University of Vaasa (FI)
Gender equality
Openalex Percentile: Top 6%
Cinema and Media Studies
3.39
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Horny for Ghost: The Sexualized Remediation of <i>Call of Duty: Modern Warfare II</i> on TikTok — Tanja Sihvonen, Kristine Ask · Games and Culture (2024) | TGRS Research Map | TGRS