Cross-Cultural Spectators: Examining the Representation and Development of Black Female Protagonists on the Big Screen
Historically, the representation of Black women in film has been non-existent at worst and highly questionable at best. As cross-cultural spectators— a Black woman and a White man —we used an oppositional gaze to critically “look” at the representation and adult development of Black female protagonists across U.S. films. Based on a critical visual methodology of 12 U.S. films, four themes emerged - #noBlackgirlmagic, transition from object-to-subject, the lies (you) tell, and hair it is. The implications for adult and higher education are discussed based on the findings.
Authors
- Adam L. McClain (ORCID: https://orcid.org/0009-0002-7388-4292)
- Josie L. Andrews (ORCID: https://orcid.org/0000-0001-6702-0071)
Institutions
- North Carolina Agricultural and Technical State University (US)
- University of Tennessee at Knoxville (US)
Publication Details
- Journal
- Adult Education Quarterly
- Published
- 2024-10-14
- DOI
- https://doi.org/10.1177/07417136241287507
- Primary Topic
- Media, Gender, and Advertising
- Type
- article
- Field-Weighted Citation Impact
- 0.00