‘Step forward now’: Choric Aesthetics and Audience Engagement in Shoot/Get Treasure/Repeat

Appropriating the tradition of choric aesthetics, Ravenhill’s Shoot/Get Treasure/Repeat repurposes the chorus to redefine the concept of community, theatrical space, and spectatorship. In the play, the chorus acts as a multivalent medium, connecting scenes, mediating diverse communities, and linking the stage with the audience, thereby exploring its dramaturgical and semiotic possibilities on multiple levels. Ravenhill&quots consensus-driven choruses coalesce around “core values,” employing the politics of co-optation and exclusion to reinforce dominant discourse. The play scrutinizes these choral communities, highlighting the necessity for a new understanding of community in the 21st-century multicultural era. By engaging with the audience, the chorus prompts spectators to reconsider their roles as both viewers and citizens and reflect on their positions vis-à-vis the chorus. This interaction enables the constitution of theater as an “agonistic” space for dialogue and civic involvement. Ravenhill&quots chorus scenes thus underscore the importance of interactive performance in fostering spectatorial engagement.

Authors

Publication Details

Journal
The New Studies of English Language & Literature
Published
2024-08-31
DOI
https://doi.org/10.21087/nsell.2024.08.88.25
Primary Topic
Theater, Performance, and Music History
Type
article
Field-Weighted Citation Impact
0.00
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article

‘Step forward now’: Choric Aesthetics and Audience Engagement in Shoot/Get Treasure/Repeat

Yungduk Kim
The New Studies of English Language & Literature
Theater, Performance, and Music History
article

‘Step forward now’: Choric Aesthetics and Audience Engagement in Shoot/Get Treasure/Repeat

Yungduk Kim
article en

Abstract

Appropriating the tradition of choric aesthetics, Ravenhill’s Shoot/Get Treasure/Repeat repurposes the chorus to redefine the concept of community, theatrical space, and spectatorship. In the play, the chorus acts as a multivalent medium, connecting scenes, mediating diverse communities, and linking the stage with the audience, thereby exploring its dramaturgical and semiotic possibilities on multiple levels. Ravenhill&quots consensus-driven choruses coalesce around “core values,” employing the politics of co-optation and exclusion to reinforce dominant discourse. The play scrutinizes these choral communities, highlighting the necessity for a new understanding of community in the 21st-century multicultural era. By engaging with the audience, the chorus prompts spectators to reconsider their roles as both viewers and citizens and reflect on their positions vis-à-vis the chorus. This interaction enables the constitution of theater as an “agonistic” space for dialogue and civic involvement. Ravenhill&quots chorus scenes thus underscore the importance of interactive performance in fostering spectatorial engagement.

The New Studies of English Language & LiteratureVol. 88
Openalex Percentile: Top 78%
Theater, Performance, and Music History
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