Nobody’s Calling for Me. Hen’s Founding Scene

The article analyzes a scene that recurs in the works of Józef Hen, irrespective of their genre:a commission scene. It fi rst appears in the story Dokument [Document], included in the fi ctionalizedreportage Kijów, Taszkient, Berlin: dzieje włóczęgi [Kiev, Tashkent, Berlin: The Story of a Vagabond].Later, Hen weaves it into the novel Nikt nie woła [Nobody’s calling], and with various echoesthe scene also recurs in his diaries. The commission scene functions as a metaphor for personal fateand an unhealed wound, and ultimately a painful symbol of repulsion. The analysis of its iterationsenables a better understanding of the writer’s work.

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Publication Details

Journal
Tekstualia
Published
2024-09-30
DOI
https://doi.org/10.5604/01.3001.0054.7923
Primary Topic
Chinese history and philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

Nobody’s Calling for Me. Hen’s Founding Scene

Marcin Wyrembelski
Tekstualia
Chinese history and philosophy
article

Nobody’s Calling for Me. Hen’s Founding Scene

Marcin Wyrembelski
article en

Abstract

The article analyzes a scene that recurs in the works of Józef Hen, irrespective of their genre:a commission scene. It fi rst appears in the story Dokument [Document], included in the fi ctionalizedreportage Kijów, Taszkient, Berlin: dzieje włóczęgi [Kiev, Tashkent, Berlin: The Story of a Vagabond].Later, Hen weaves it into the novel Nikt nie woła [Nobody’s calling], and with various echoesthe scene also recurs in his diaries. The commission scene functions as a metaphor for personal fateand an unhealed wound, and ultimately a painful symbol of repulsion. The analysis of its iterationsenables a better understanding of the writer’s work.

TekstualiaVol. 3(78)
University of Florence (IT)
Reduced inequalities
Openalex Percentile: Top 72%
Chinese history and philosophy
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