A Study on the Calligraphic Style of the Epitaph Covers in Taiyuan Chunyang Palace

This article examines the calligraphic styles of the epitaph covers preserved in Taiyuan Chunyang Palace, focusing on the artistic characteristics and historical cultural value of the seal script and regular script styles. The epitaph covers are categorized into two main types: those inscribed in seal script and those in regular script. The seal script epitaph covers are further classified into three styles: formal and dignified, dynamic and varied, and ancient and vigorous. Each style represents the diversity of seal script across different calligraphic expressions. The formal and dignified epitaph covers showcase the symmetrical beauty and solemnity of seal script, highlighting its appropriateness for commemorative occasions in ancient times. The dynamic and varied epitaph covers demonstrate an innovative fusion of seal script, regular script, and semi-cursive script, reflecting creative breakthroughs in the evolution of calligraphy. The ancient and vigorous epitaph covers incorporate angular brushwork from the Wei steles, adding strength and flexibility to the seal script style. Though fewer in number, the regular script epitaph covers reveal the influence of both Wei steles and Tang dynasty regular script, combining the strength and elegance of both styles. This illustrates the regional and historical evolution of calligraphy. In addition to analyzing the significance of these epitaph covers in the art of calligraphy, this article emphasizes their role in cultural transmission, offering a new perspective on the diversity of regional calligraphic styles and their mechanisms of inheritance. 本文以太原纯阳宫存墓志盖的书法风格为研究对象,深入探讨其篆书和楷书的艺术特点及其历史文化价值,并将这些墓志盖划分为两大类,即篆书墓志盖和楷书墓志盖。其中,篆书墓志盖根据风格进一步分为整饬端庄、灵动多变、古朴峭拔三种,分别代表了篆书在不同书风和艺术表现中的多样性。整饬端庄的墓志盖展现出篆书严谨对称的美感与庄重气质,凸显了在古代纪念性场合中篆书的适用性;灵动多变的墓志盖则表现出篆书、楷书及行书之间灵活融合的创新精神,揭示了书法风格演变中的创造性突破;古朴峭拔的墓志盖则在篆书基础上吸收了魏碑的方折笔法,使其风格更为刚劲、峭拔灵巧。楷书墓志盖尽管数量较少,但显示出魏碑与唐楷的影响,结合了两者的笔力和风骨,体现了书法风格在特定地域与历史背景下的演变与交融。本文不仅分析了这些墓志盖在书法艺术中的重要性,还强调了它们在文化传承中的地位,为研究地域书风的多样性和传承机制提供了新的视角。

Publication Details

Journal
The Korean Society of Calligraphy
Published
2024-09-30
DOI
https://doi.org/10.19077/tsoc.2024.45.6
Primary Topic
Cultural and Historical Studies
Type
article
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article

A Study on the Calligraphic Style of the Epitaph Covers in Taiyuan Chunyang Palace

The Korean Society of Calligraphy
Cultural and Historical Studies
article

A Study on the Calligraphic Style of the Epitaph Covers in Taiyuan Chunyang Palace

article en

Abstract

This article examines the calligraphic styles of the epitaph covers preserved in Taiyuan Chunyang Palace, focusing on the artistic characteristics and historical cultural value of the seal script and regular script styles. The epitaph covers are categorized into two main types: those inscribed in seal script and those in regular script. The seal script epitaph covers are further classified into three styles: formal and dignified, dynamic and varied, and ancient and vigorous. Each style represents the diversity of seal script across different calligraphic expressions. The formal and dignified epitaph covers showcase the symmetrical beauty and solemnity of seal script, highlighting its appropriateness for commemorative occasions in ancient times. The dynamic and varied epitaph covers demonstrate an innovative fusion of seal script, regular script, and semi-cursive script, reflecting creative breakthroughs in the evolution of calligraphy. The ancient and vigorous epitaph covers incorporate angular brushwork from the Wei steles, adding strength and flexibility to the seal script style. Though fewer in number, the regular script epitaph covers reveal the influence of both Wei steles and Tang dynasty regular script, combining the strength and elegance of both styles. This illustrates the regional and historical evolution of calligraphy. In addition to analyzing the significance of these epitaph covers in the art of calligraphy, this article emphasizes their role in cultural transmission, offering a new perspective on the diversity of regional calligraphic styles and their mechanisms of inheritance. 本文以太原纯阳宫存墓志盖的书法风格为研究对象,深入探讨其篆书和楷书的艺术特点及其历史文化价值,并将这些墓志盖划分为两大类,即篆书墓志盖和楷书墓志盖。其中,篆书墓志盖根据风格进一步分为整饬端庄、灵动多变、古朴峭拔三种,分别代表了篆书在不同书风和艺术表现中的多样性。整饬端庄的墓志盖展现出篆书严谨对称的美感与庄重气质,凸显了在古代纪念性场合中篆书的适用性;灵动多变的墓志盖则表现出篆书、楷书及行书之间灵活融合的创新精神,揭示了书法风格演变中的创造性突破;古朴峭拔的墓志盖则在篆书基础上吸收了魏碑的方折笔法,使其风格更为刚劲、峭拔灵巧。楷书墓志盖尽管数量较少,但显示出魏碑与唐楷的影响,结合了两者的笔力和风骨,体现了书法风格在特定地域与历史背景下的演变与交融。本文不仅分析了这些墓志盖在书法艺术中的重要性,还强调了它们在文化传承中的地位,为研究地域书风的多样性和传承机制提供了新的视角。

The Korean Society of CalligraphyVol. 45
Quality Education
Openalex Percentile: Top 74%
Cultural and Historical Studies
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A Study on the Calligraphic Style of the Epitaph Covers in Taiyuan Chunyang Palace · The Korean Society of Calligraphy (2024) | TGRS Research Map | TGRS