A Study on Wu'an Nuo Opera Costumes from the Perspective of Iconography

The discovery of Wuan Nuo Opera has rewritten the assertion that "there is no Nuo in Jiangbei". Its existence shows the survival and development of Central Plains Nuo, and provides a complete and rich model for studying the essence and evolution of Central Plains Nuo. Wuan Nuo Opera costumes are an important local cultural heritage of my country. These image remains contain rich cultural values such as material, spiritual and institutional values, involving history, folklore, religion, art and other fields. In-depth research on Wuan Nuo Opera costumes has important practical significance. This article attempts to start with the Panofsky iconography theory research method, and interpret and analyze the theme, composition, color and pattern of Wuan Nuo Opera costumes from three levels, so as to explore the cultural value of regional local color paintings and clarify the trajectory of the integration of social culture and secular culture.

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Publication Details

Journal
Arts Studies and Criticism
Published
2024-10-09
DOI
https://doi.org/10.32629/asc.v5i4.2741
Primary Topic
Digital Media and Visual Art
Type
article
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article

A Study on Wu'an Nuo Opera Costumes from the Perspective of Iconography

Wenyan Li
Arts Studies and Criticism
Digital Media and Visual Art
article

A Study on Wu'an Nuo Opera Costumes from the Perspective of Iconography

Wenyan Li
article en

Abstract

The discovery of Wuan Nuo Opera has rewritten the assertion that "there is no Nuo in Jiangbei". Its existence shows the survival and development of Central Plains Nuo, and provides a complete and rich model for studying the essence and evolution of Central Plains Nuo. Wuan Nuo Opera costumes are an important local cultural heritage of my country. These image remains contain rich cultural values such as material, spiritual and institutional values, involving history, folklore, religion, art and other fields. In-depth research on Wuan Nuo Opera costumes has important practical significance. This article attempts to start with the Panofsky iconography theory research method, and interpret and analyze the theme, composition, color and pattern of Wuan Nuo Opera costumes from three levels, so as to explore the cultural value of regional local color paintings and clarify the trajectory of the integration of social culture and secular culture.

Arts Studies and CriticismVol. 5(4)
Sustainable cities and communities
Openalex Percentile: Top 65%
Digital Media and Visual Art
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