William Wordsworth, Child of Nature, Child of the Century: The Crisis of <i>The Prelude</i> in European Context

When he first heard in May of 1804 that Bonaparte intended to declare himself emperor, Beethoven famously tore off the dedication page of his third (‘Eroica’) symphony. In roughly the same time-frame during 1804–05 Wordsworth was coming to the conclusion of his first full version of The Prelude (completed May 20, 1805), with similar attention to Napoleon. I want to use this compositional coincidence as a lead-in to a concentrated reading of Book X of The Prelude which can lead to a stronger connection between Wordsworth and not just Beethoven, but the whole of nineteenth-century European literature, especially the great tradition of novels in France. By following carefully his intricate structuring of the stages of his crisis and its resolution we can arrive at a new way of seeing Wordsworth’s links to the broad landscape of nineteenth-century European literature.